The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
Also I should have said that Hardress cordially detested Charteris,
just as Bettie Hamlyn did, because for some reason he suspected the
little novelist of being in love with Hardress's wife. I do not know;
but I imagine Charteris had made advances to her, in his own ambiguous
fashion, as he was apt to do, barring strenuous discouragement, to
every passably handsome woman he was left alone with. I do know he
made love to her a little later.
Hardress distrusted a number of other men, for precisely the same
reason. Heaven only is familiar with what grounds he had. I merely
know that Gillian Hardress loathed John Charteris; she was jealous of
his influence over me. But me her husband never distrusted. I was only
an amusing and ingenuous child of twenty-two, and not for a moment did
it occur to him that I might be in love with his wife.
Indeed, I believe upon reflection that he was in the right. I think I
never was.
8
"Yes," I said, "I am to meet the Charterises in Genoa. Yes, it is
rather sudden. I am off to-morrow. I shall not see you dear good
people for some time, I fancy...."
When Hardress had gone the woman said in a stifled voice: "No, I will
not dance. Take me somewhere--there is a winter-garden, I know--"
"No, Jill," said I, with decision. "It's no use. I am really going. We
will not argue it."
Gillian Hardress watched the dancers for a moment, as with languid
interest. "You fear that I am going to make a scene. Well! I can't.
You have selected your torture chamber too carefully. Oh, after all
that's been between us, to tell me here, to my husband's face, in the
presence of some three hundred people, without a moment's warning,
that you are 'off to-morrow!' It--it is for good, isn't it?"
"Yes," I said. "It had to be--some time, you know."
"No, don't look at me. Watch the dancing, I will fan myself and seem
bored. No, I shall not do anything rash."
I was uncomfortable. Yet at bottom it was the theatric value of this
scene which impressed me,--the gaiety and the brilliance on every side
of her misery. And I did not look at her. I did just as she ordered
me.
"I was proud once. I haven't any pride now. You say you must leave me.
Oh, dearest boy, if you only knew how unhappy I will be without you,
you could not leave me. Sweetheart, you must know how I love you. I
long every minute to be with you, and to see you even at a distance is
a pleasure. I know it is not right for me to ask or expect you to love
me always, but it seems so hard."
"It's no use, Jill--"
Public-domain text, read in full here on John Shaqi.
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