I daresay that for a long time twenty-five shillings a week would have been a very handsome income to William the engraver. He covered many silver salvers and tankards with heraldic devices, but I don’t think he had any “_argenterie, bagues et bijouxs_,” or other precious stock of his own on sale. Most probable is it, that his old master gave him work to do after he had left his service. I wonder if Mr. Gamble, in after days, when his apprentice had become a great man, would ever hold forth to tavern coteries on the share he had had in guiding the early efforts of that facile hand! I hope and think so; and seem to hear him saying over his tankard: “Yes, sir, I taught the lad. He was bound to me, sir, by his worthy father, who was as full of book learning as the Cockpit is of Hanover rats. He could not draw a stroke when he came to me, sir. He was good at his graving work, but too quick, too quick, and somewhat rough. Never could manage the delicate tintos or the proper reticulations of scroll-foliage. But he was always drawing. He drew the dog. He drew the cat. He drew Dick, his fellow ’prentice, and Molly the maid, and Robin Barelegs the shoeblack at the corner of Cranbourn Street. He drew a pretty configurement of Mistress Gamble, my wife deceased, in her Oudenarde tire, and lapels of Mechlin point, and Sunday sack. But there was ever a leaning towards the caricatura in him, sir. Sure never mortal since Jacques Callot the Frenchman (whose ‘Habits and Beggars’ he was much given to study) ever drew such hideous, leering satyrs. And he had a way too, of making the griffins laugh and the lions dance gambadoes, so to speak, on their hind legs in the escocheons he graved, which would never have passed the College of Arms. Sir, the tankard out: what! drawer, there.” Thus Ellis Gamble mythically seen and heard. But to the realities. In 1720 or ’21, Hogarth’s father, the poor old dominie, was removed to a land where no grammar disputations are heard, and where one dictionary is as good as another. Hogarth’s sisters had previously kept a “frock shop” in the city; they removed westward after the old man’s death, and probably occupied their brother’s place of business in Little Cranbourn Alley, when, giving up a perhaps momentary essay in the vocation of a working tradesman, he elected to be, instead, a working artist. For Mary and Ann Hogarth he engraved a shop-card, representing the interior of a somewhat spacious warehouse with sellers and customers, and surmounted by the king’s arms. The sisters could not have possessed much capital; and there have not been wanting malevolent spirits—chiefly of the Wilkite way of thinking—to hint that the Misses Hogarths’ “old frock-shop” was indeed but a very old slop-, not to say rag-shop, and that the proper insignia for their warehouse would have been not the royal arms, but a certain image, sable, pendent, clad in a brief white garment: a black doll of the genuine Aunt Sally proportions.