The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)Various
History
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
(_The air grows dim and a cold wind rises. The stars vanish. In the
valley, mysteriously visible, Anthony sees a road. It is cumbered
with dead and wounded men, lying in all attitudes, some as if asleep,
head resting on arm, and some contorted hideously. Anthony notes the
curious attitude of one man who seems to have his legs drawn right up
under him; until presently he sees that he has no legs. A dead man sits
propped against a gun. The whole of his tongue is visible, hanging
downwards; the lower jaw is shot away. Presently one of the black
shapes starts to flounder clumsily. In the mysterious light comes the
glint of steel; the black shape is trying to fix the end of a bayonet
in the ground. In one of his clumsy attempts the man reveals the fact
that he has but one arm. For some minutes he struggles and finally the
bayonet is fixed. The man lies still. Then he raises himself awkwardly
on his one arm till the bayonet point touches his chest; he flings his
arm straight out and falls with his whole weight on the point. A long
red finger points up from his back._
_The Woman waves her arm and the scene vanishes, to be replaced by
another. A soldier, young, and with a look of bright intelligence,
is saying farewell to his mother at the door of a cottage. The old
woman’s face is lined; her hands tremble. Her eyes peer up anxiously
at the young man, as she fondles the sleeve of his tunic. He speaks
confidently and cheerfully, and after a final embrace walks briskly
away. The old woman enters the cottage and sits there, in silence and
alone. She picks up a book the young man had been reading and very
carefully places it in a drawer._)
THE WOMAN. An only child, and she a widow.
ANTHONY (_looks very thoughtful_). What of her son?
THE WOMAN. His agony is greater. He feels all her grief and his own.
She feels but her own, for his leave-taking deceived her, and she
believes he has joy in battle.
ANTHONY (_as if musing_). Will men do so much to keep France?
THE WOMAN (_softly_). They do much more. They know the issue is
doubtful. They sacrifice so much, knowing the sacrifice may be in vain.
(_Anthony raises his head and looks very intently at The Woman; she
continues, her eyes glowing._) For years you have suffered on your
rock. You suffer to save yourself. Jesus, your master, suffered to
save the world. (_She stretches out her arms and her voice rings with
triumph._) I offer you greater suffering. He who suffers for me knows
not the fruit of his suffering. I offer you the opportunity of the
greatest sacrifice: the sacrifice of all, knowing that your all may be
in vain.
(_The Woman pauses, her arms outspread. Anthony presses his hands to
his head, and remains silent for a long time. Then, taking a step
forward, he places his right hand in that of The Woman. They slowly
leave the ground. As they mount in the air the few retarded rays of
light utterly vanish, and blackest night confounds the jutting rock
with the starless heaven._)
Public-domain text, read in full here on John Shaqi.
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