The Cornhill Magazine (vol. XLII, no. 251 new series, May 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 251 new series, May 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Then just as I was about twenty yards from my objective I heard a sound.
Stopping suddenly, I listened. Someone was talking in a confused, halting
sort of way. A snatch of conversation, a long pause, and then another
remark. The voice was so low that I could not make out words, but I had
the impression that it was not English that was being spoken. The tone
was uniform too, as though it were not two people but one speaking—a
curious, pointless monologue it sounded like.
My heart was beating a little more quickly, my fingers clutched my
revolver a little more tightly. I knelt down, wondering what to do. The
voice came from the ruined Potsdam House, and if indeed a small German
patrol had got in there it seemed foolhardy to go alone to meet them. On
the other hand, it might be but one person there, though why he should be
talking thus to himself I could not imagine. Anyhow, foolhardy or not, I
was going to find out.
I moved forward therefore over the intervening yards slowly and as
quietly as might be. The voice broke off at times, then continued, and
each time that it stopped I halted too, lest in the stillness I should be
betrayed.
You remember the little pond at the side of the house, the pond that has
at the bottom of it, to our knowledge, a dead Bavarian and an Argyll and
Sutherland Highlander? At the edge of it I must have stopped a full five
minutes, lying flat upon my stomach and listening to the intermittent
sound of the voice. It was clearer now, low but distinct, and at last
I knew for a certainty that the words came from a German throat.
Occasionally a light laugh broke out which sounded uncannily in the still
air. Laughter is not often heard from patrols between the lines, and I
was puzzled and interested too.
A minute later I had clambered over the broken-down wall and was in what
we used to think must have been the drawing-room of the house. Some time
after this war is over I shall return and make straight for this house.
I want to see what it looks like in daytime. I want to be able to stand
in front of it and look out on the country beyond. I’ve crawled into it
a dozen times at night, I’ve propped up its shelled, roofless walls with
sand-bags, I’ve made a look-out loophole in the broken-down chimney. I’ve
seen dim outlines from its glassless windows of hills and houses, but I
am sure, quite sure, that when I see it and the country beyond it in the
full glare of a summer sun I shall give a gasp of astonishment at what it
is and what I thought it was.
Once inside the house I paused no longer, but, my revolver ready, my
finger on the trigger, made straight for the spot from which came the
voice.
Public-domain text, read in full here on John Shaqi.
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