The Courtship of Morrice Buckler: A RomanceMason, A. E. W. (Alfred Edward Woodley)
History
The Courtship of Morrice Buckler: A Romance
Mason, A. E. W. (Alfred Edward Woodley)
Great Britain -- History -- James II, 1685-1688 -- Fiction; Historical fiction
I turned over on my face and dropped on to the snow. But my spurs
rattled and clinked as I touched the ground, and I stooped down and
loosed them from my feet. I cast a hurried glance around me. Not a
shadow moved; the world seemed frozen to an eternal immobility. I
crept across the lawn, up the terrace steps to the sill of the window,
and peered into the room. It was small and luxuriously furnished, the
roof, panels, and floor, being all of a polished and mellow pine-wood.
Warm-coloured rugs and the skins of chamois were scattered on the
floor, and four candles in heavy sconces blazed on the mantel. Sunning
himself before the log-fire sat Count Lukstein. I knew him at once
from Julian's account: a big, heavy-featured man with a loose dropping
mouth. He was elaborately dressed in a suit of grey satin richly laced
with silver, which seemed somewhat too airy and fanciful to befit the
massive girth of his limbs. These he displayed to their full
proportions, and the sight did little to enhearten me. For he sat with
his legs stretched out and his arms clasped behind his head, the
firelight playing gaily upon a sparkle of diamonds in his cravat.
I noted the two doors of which Julian had spoken--that on my right
leading to the bedroom, that on my left to the hall--and in particular
a small writing-table which stood against the wall facing me. For a
silver bell upon it caught the light of the candles and reflected it
into my eyes. And I remembered Julian's story of his visit to the
Hotwell.
Whether it was that I rattled the frame of the window, or that chance
turned the Count's looks my way, I know not; but he suddenly turned
full towards me, My face was pressed flat to the glass. I drew back
hastily into the shadow of the wall. One minute passed, two, three;
the window darkened, and the Count, lifting his hands to his temples
to shut out the light at his back, laid his forehead to the pane.
Instinctively I clapped my hand to the pistol in my pocket and cocked
it. The click of the hammer sounded loud in my ears as though I had
exploded the charge. Count Lukstein flung open the window and set one
foot outside.
"Who is it?" he cried; and yet again, "who is it?"
I drew a deep breath, stepped quickly past him into the room, and
turned about. The two doors and the writing-table were now behind me.
He staggered back from the window, and his hand dived at the hilt of
his sword. But before he could draw it he raised his eyes to my face;
he let go of his sword and stared in sheer bewilderment.
"And in the devil's name," he asked, "who are you?"
'Twas a humiliating moment for me. He spoke as a master might to an
impudent schoolboy, and it was with a quavering schoolboy's treble
that I answered him.
"I am Morrice Buckler."
"An Englishman?" he questioned, bending his brows suddenly; for we
were speaking in German.
"Of the county of Cumberland," I replied meekly. I felt as if I was
repeating my catechism.
Public-domain text, read in full here on John Shaqi.
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