The Cream of the Jest: A comedy of evasionsCabell, James Branch
Science
The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
For once, in an elongated room with buff-colored walls—having scarlet
hangings over its windows, and seeming larger than it was in reality,
because of its many mirrors—they foregathered with Napoleon, on the
evening of his coronation: the emperor of half-Europe was fretting over
an awkward hitch in the day’s ceremony, caused by his sisters’ attempt
to avoid carrying the Empress Josephine’s train; and he was grumbling
because the old French families continued to ignore him, as a parvenu.
In a neglected orchard, sunsteeped and made drowsy by the murmur of
bees, they talked with Shakespeare; the playwright, his nerves the worse
for the preceding night’s potations, was peevishly complaining of the
meager success of his later comedies, worrying over Lord Pembroke’s
neglect of him, and trying to concoct a masque in the style of fat Ben
Jonson, since that was evidently what the theater-patronizing public
wanted. And they were with Pontius Pilate in Jerusalem, on the evening
of a day when the sky had been black and the earth had trembled; and
Pilate, benevolent and replete with supper, was explaining the latest
theories concerning eclipses and earthquakes to his little boy, and
chuckling with fond pride in the youngster’s intelligent questions.
These three were a few among the prominent worthies of remoter days whom
Kennaston was enabled to view as they appeared in the flesh; but, as a
rule, chance thrust him into the company of mediocre people living
ordinary lives amid surroundings which seemed outlandish to him, but to
them a matter of course. And everywhere, in every age, it seemed to him,
men stumbled amiable and shatter-pated through a jungle of miracles,
blind to its wonderfulness, and intent to gain a little money, food and
sleep, a trinket or two, some rare snatched fleeting moments of
rantipole laughter, and at the last a decent bed to die in. He, and he
only, it seemed to Felix Kennaston, could see the jungle and all its
awe-inspiring beauty, wherethrough men scurried like feeble-minded ants.
He often wondered whether any other man had been so licensed as himself;
and prowling, as he presently did, in odd byways of printed matter—for
he found the library of his predecessor at Alcluid a mine rich-veined
with strangeness—Kennaston lighted on much that appeared to him
significant. Even such apparently unrelated matters as the doctrine of
metempsychosis, all the grotesque literature of witches, sorcerers and
familiar spirits, and of muses who actually prompted artistic
composition with audible voices, were beginning to fall into
cloudily-discerned interlocking. Kennaston read much nowadays in his
dead uncle’s books; and he often wished that, even at the expense of
Felix Kennaston’s being reduced again to poverty, it were possible to
revivify the man who had amassed and read these books. Kennaston wanted
to talk with him.
Public-domain text, read in full here on John Shaqi.
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