The Cream of the Jest: A comedy of evasionsCabell, James Branch
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The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
He wondered very often about his uncle....
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VII
Of Truisms: Treated Reasonably
HE seemed, indeed, to find food for wonder everywhere. It was as if he
had awakened from a dragging nightmare of life made up of unimportant
tasks and tedious useless little habits, to see life as it really was,
and to rejoice in its exquisite wonderfulness.
How poignantly strange it was that life could afford him nothing save
consciousness of the moment immediately at hand! Memory and
anticipation, whatever else they might do—and they had important uses,
of course, in rousing emotion—yet did not deal directly with reality.
What you regretted, or were proud of, having done yesterday was no more
real now than the deeds of Cæsar Borgia or St. Paul; and what you looked
forward to within the half-hour was as non-existent as the senility of
your unborn great-grandchildren. Never was man brought into contact with
reality save through the evanescent emotions and sensations of that
single moment, that infinitesimal fraction of a second, which was
passing now. This commonplace, so simple and so old, bewildered
Kennaston when he came unreservedly to recognize its truth....
To live was to be through his senses conscious, one by one, of a
restricted number of these fractions of a second. Success in life, then,
had nothing to do with bank-accounts or public office, or any step
toward increasing the length of one’s obituary notices, but meant to be
engrossed utterly by as many as possible of these instants. And complete
success required a finding, in these absorbing instants, of employment
for every faculty he possessed. It was for this that Kennaston had
always vaguely longed; and to this, if only in dreams, he now attained.
If only in dreams he debated: why, and was he not conscious, now, in his
dreams, of every moment as it fled? And corporal life in banks and
ballrooms and legislative halls and palaces, nowhere had anything more
than that to offer mortal men.
It is not necessary to defend his course of reasoning; to the contrary,
its fallacy is no less apparent than its conduciveness to unbusinesslike
conclusions. But it is highly necessary to tell you that, according to
Felix Kennaston’s account, now, turn by turn, he was in Horvendile’s
person rapt by nearly every passion, every emotion, the human race has
ever known. True, throughout these dramas into which chance plunged him,
in that he knew always he was dreaming, he was at once performer and
spectator; but he played with the born actor’s zest—feeling his part, as
people say—and permitting the passion he portrayed to possess him almost
completely.
Public-domain text, read in full here on John Shaqi.
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