The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern TimesSmith, John Thomas
History
The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern Times
Smith, John Thomas
Cries -- England -- London; London (England) -- Social life and customs -- Illustrations; Peddling -- England -- London
The following is a list of the places where sugar bakers' moulds are made,
for they are not to be had at the Potteries in general; viz. that
above-mentioned, at Child's Hill, near Hampstead Heath, in the parish of
Hendon; one at Brentford; one at Clapham; one at Greenwich; three at
Deptford; and two at Plumsted. Though the clay varies in texture, and
likewise in colour in some slight degree, when baked, on almost every spot
where a Pottery is erected, yet in no instance does it so peculiarly
differ as at the Pottery in High Street, Lambeth, leading to Vauxhall. The
clay principally used at that place is preferred by the sculptors for
their models of busts, figures, and monuments. It never stains the
fingers, and is of so beautiful a texture that all parts of the model may
be executed with it, in the most minute degree of sharpness and spirit;
and, when baked, it is not of that fiery red colour, like a tile, but
approaches nearer to the tone of flesh, has a beautiful bloom with it, and
is very similar, though not quite so dark, as those fine specimens of
Terracottas in the Towneley Gallery, in the British Museum. The great
sculptors Roubiliac and Rysbrach not only constantly preferred it, but
brought it into general use among the artists.
At the Lambeth Pottery, the first imitations of the Dutch square white
glazed tiles, decorated with figures of animals and other ornaments,
painted in blue, and sometimes purple, were made in England. The fashion
of thus decorating the backs of chimnies was introduced into this country
soon after the arrival of William the Third, and continued till about
fifty years ago. Chimnies thus ornamented are frequently to be met with in
country houses, particularly in bed-rooms; but in London, where almost
every body enters on a new fashion as soon as it appears, there are fewer
specimens left. The chimney of the room in Bolt Court, in which Dr.
Johnson died, was decorated with these tiles, most of the subjects of
which were taken from Barlow's etchings of Æsop's Fables. Dinner services
were produced of the same material, and painted blue or purple, like the
above tiles. Sir James Thornhill, the painter of the pictures which adorn
the dome of St. Paul's, and Paul Ferg, when young men, were employed at
the Chelsea China manufactory, and there are specimens of plates and
dishes painted by them now and then to be met with in the cabinets of the
curious. At Mrs. Hogarth's sale (Sir James Thornhill's daughter), Lord
Orford purchased twelve dinner plates painted by her father; the subjects
were the Signs of the Zodiac, and they are preserved at Strawberry Hill.
Public-domain text, read in full here on John Shaqi.
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