The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern TimesSmith, John Thomas
History
The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern Times
Smith, John Thomas
Cries -- England -- London; London (England) -- Social life and customs -- Illustrations; Peddling -- England -- London
The above artist, whose eye glanced at every description of nature, and
whose mind was perpetually alive to those scenes which would in any way
illustrate his various subjects, has introduced, in his inimitable print
of Southwark Fair, the figure of a little man, at that time extremely well
known in London, who performed various tricks with two dancing dolls
strung to a flat board; his music was the bagpipes, on which he played
quick or slow tunes, according to the expression he wished to give his
puppets. These dolls were fastened to a board, and moved by a string
attached to his knee, as appears in the figure of the boy represented in
the present Plate. Since the late Peace, London has been infested with ten
or twelve of these lads, natives of Lucca, whose importunities were at
first made with all their native impudence and effrontery, for they
attempted to thrash the English boys that stood between their puppets and
the spectators, but in this they so frequently were mistaken that they
behave now with a little more propriety.
The sounds they produce from their drums during the action of their dolls
are full of noise and discord, nor are they masters of three notes of
their flute. Lucca is also the birth place of most of those people who
visit England to play the street organ, carry images, or attend dancing
bears or dolls. In Italy there are many places which retain their
peculiar trades and occupations; as for example, one village is inhabited
by none but shoemakers, whose ancestors resided in the same place and
followed a similar employment.
[Illustration: _The Dancing Ballad-Singer with his Sprig of Sillelah and
Shamrock so green_]
SPRIG OF SHILLELAH AND SHAMROCK SO GREEN.
PLATE XXII.
The annexed etching was taken from Thomas M'Conwick, an Irishman, who
traverses the western streets of London, as a vendor of matches, and, like
most of his good-tempered countrymen, has his joke or repartee at almost
every question put to him, duly attempered with native wit and humour.
M'Conwick sings many of the old Irish songs with excellent effect, but
more particularly that of the "Sprig of Shillelah and Shamrock so green,"
dances to the tunes, and seldom fails of affording amusement to a crowded
auditory.
The throne at St. James's was first used on the Birth Day of Queen
Charlotte, after the union of the Kingdoms of Great Britain and Ireland,
and the Shamrock, the badge of the Irish nation, is introduced among the
decorations upon it.
Public-domain text, read in full here on John Shaqi.
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