Book collectors -- Fiction; Detective and mystery stories; France -- Fiction
During breakfast I had many opportunities to appreciate the good taste,
tact, and intelligence of Madame de Gabry, who told me that the
chateau had its ghosts, and was especially haunted by the
“Lady-with-three-wrinkles-in-her-back,” a prisoner during her lifetime,
and thereafter a Soul-in-pain. I could never describe how much wit and
animation she gave to this old nurse’s tale. We took out, coffee on
the terrace, whose balusters, clasped and forcibly torn away from their
stone coping by a vigorous growth of ivy, remained suspended in the
grasp of the amorous plant like bewildered Athenian women in the arms of
ravishing Centaurs.
The chateau, shaped something like a four-wheeled wagon, with a turret
at each of the four angles, had lost all original character by reason of
repeated remodellings. It was merely a fine spacious building, nothing
more. It did not appear to me to have suffered much damage during its
abandonment of thirty-two years. But when Madame de Gabry conducted me
into the great salon of the ground-floor, I saw that the planking was
bulged in and out, the plinths rotten, the wainscotings split apart, the
paintings of the piers turned black and hanging more than half out of
their settings. A chestnut-tree, after forcing up the planks of the
floor, had grown tall under the ceiling, and was reaching out its
large-leaved branches towards the glassless windows.
This spectacle was not devoid of charm; but I could not look at it
without anxiety as I remembered that the rich library of Monsieur Honore
de Gabry, in an adjoining apartment, must have been exposed for the
same length of time to the same forces of decay. Yet, as I looked at the
young chestnut-tree in the salon, I could not but admire the magnificent
vigour of Nature, and that resistless power which forces every germ
to develop into life. On the other hand I felt saddened to think that,
whatever effort we scholars may make to preserve dead things from
passing away, we are labouring painfully in vain. Whatever has lived
becomes the necessary food of new existences. And the Arab who builds
himself a hut out of the marble fragments of a Palmyra temple is really
more of a philosopher than all the guardians of museums at London,
Munich, or Paris.
August 11.
Public-domain text, read in full here on John Shaqi.
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