Causation; Knowledge, Theory of; Philosophy, German; Reason
In phenomena, we commonly, indeed, distinguish that which essentially
belongs to the intuition of them, and is valid for the sensuous faculty
of every human being, from that which belongs to the same intuition
accidentally, as valid not for the sensuous faculty in general, but for
a particular state or organization of this or that sense. Accordingly,
we are accustomed to say that the former is a cognition which
represents the object itself, whilst the latter presents only a
particular appearance or phenomenon thereof. This distinction, however,
is only empirical. If we stop here (as is usual), and do not regard the
empirical intuition as itself a mere phenomenon (as we ought to do), in
which nothing that can appertain to a thing in itself is to be found,
our transcendental distinction is lost, and we believe that we cognize
objects as things in themselves, although in the whole range of the
sensuous world, investigate the nature of its objects as profoundly as
we may, we have to do with nothing but phenomena. Thus, we call the
rainbow a mere appearance of phenomenon in a sunny shower, and the
rain, the reality or thing in itself; and this is right enough, if we
understand the latter conception in a merely physical sense, that is,
as that which in universal experience, and under whatever conditions of
sensuous perception, is known in intuition to be so and so determined,
and not otherwise. But if we consider this empirical datum generally,
and inquire, without reference to its accordance with all our senses,
whether there can be discovered in it aught which represents an object
as a thing in itself (the raindrops of course are not such, for they
are, as phenomena, empirical objects), the question of the relation of
the representation to the object is transcendental; and not only are
the raindrops mere phenomena, but even their circular form, nay, the
space itself through which they fall, is nothing in itself, but both
are mere modifications or fundamental dispositions of our sensuous
intuition, whilst the transcendental object remains for us utterly
unknown.
The second important concern of our æsthetic is that it does not obtain
favour merely as a plausible hypothesis, but possess as undoubted a
character of certainty as can be demanded of any theory which is to
serve for an organon. In order fully to convince the reader of this
certainty, we shall select a case which will serve to make its validity
apparent, and also to illustrate what has been said in § 3.
Public-domain text, read in full here on John Shaqi.
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