The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
Not many people had talked with him at the reception; he had
stood in a little space apart, and Monseigneur might have been
warmer in his manner. It appeared under the circumstances,
rather agreeable to him to see the common people dispersed
before his horses, and often barely escaping from being run
down. His man drove as if he were charging an enemy, and the
furious recklessness of the man brought no check into the face,
or to the lips, of the master. The complaint had sometimes made
itself audible, even in that deaf city and dumb age, that,
in the narrow streets without footways, the fierce patrician
custom of hard driving endangered and maimed the mere vulgar in
a barbarous manner. But few cared enough for that to think of
it a second time, and, in this matter, as in all others, the
common wretches were left to get out of their difficulties as
they could.
With a wild rattle and clatter, and an inhuman abandonment
of consideration not easy to be understood in these days,
the carriage dashed through streets and swept round corners,
with women screaming before it, and men clutching each other
and clutching children out of its way. At last, swooping at
a street corner by a fountain, one of its wheels came to a
sickening little jolt, and there was a loud cry from a number
of voices, and the horses reared and plunged.
But for the latter inconvenience, the carriage probably would
not have stopped; carriages were often known to drive on, and
leave their wounded behind, and why not? But the frightened
valet had got down in a hurry, and there were twenty hands at
the horses' bridles.
"What has gone wrong?" said Monsieur, calmly looking out.
A tall man in a nightcap had caught up a bundle from among the
feet of the horses, and had laid it on the basement of the
fountain, and was down in the mud and wet, howling over it like
a wild animal.
"Pardon, Monsieur the Marquis!" said a ragged and submissive
man, "it is a child."
"Why does he make that abominable noise? Is it his child?"
"Excuse me, Monsieur the Marquis--it is a pity--yes."
The fountain was a little removed; for the street opened, where
it was, into a space some ten or twelve yards square. As the
tall man suddenly got up from the ground, and came running at
the carriage, Monsieur the Marquis clapped his hand for an
instant on his sword-hilt.
"Killed!" shrieked the man, in wild desperation, extending both
arms at their length above his head, and staring at him. "Dead!"
The people closed round, and looked at Monsieur the Marquis.
There was nothing revealed by the many eyes that looked at him
but watchfulness and eagerness; there was no visible menacing
or anger. Neither did the people say anything; after the first
cry, they had been silent, and they remained so. The voice of
the submissive man who had spoken, was flat and tame in its
extreme submission. Monsieur the Marquis ran his eyes over them
all, as if they had been mere rats come out of their holes.
He took out his purse.
Public-domain text, read in full here on John Shaqi.
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