United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
Gita warmed to him for a moment. “If I’ve got to be introduced to this
Eastern Society I’ve got to, I suppose, but I shall live here and only
go to New York occasionally. And I’ll not be invited to parties because
I don’t dance. I don’t fancy I’ll be run after for dinners either. I
wish I were rich enough to have an apartment in town to spend half the
week in. I do want to go to the opera and all the new plays. But my
lawyer says I must be careful for a year or two.”
“Why don’t you rent the manor? I fancy there are a good many of the
backgroundless on the lookout for an incongruous setting. They would
give you a fancy price.”
Gita shook her head vigorously. “I did think of it once but I never
could do it now. It’s too much mine in too many ways. It seems to have a
soul of its own, a distillation of all the Carterets, perhaps. I could
as easily have rented out my grandmother.”
Bylant laughed heartily. He had a mellow laugh and it struck no false
note in the wood. “I have heard a good deal of Mrs. Carteret and I fancy
your old manor house would appreciate the compliment. I understand
exactly what you mean, for I too have an old house—in Albany—and my
mother would not live anywhere else. She insisted that old houses,
particularly old family mansions, had a very real and complex
personality, made up not only of those who had lived there—the direct
inheritors and the diverse strains introduced by marriage—but because
the windows, she said, were so many eyes looking out on history in the
process of making; the family ghost, perhaps, recording it all in the
invisible volumes that atmosphere shares with the subconsciousness of
man. An old house must have an atmospheric library as extensive as the
British Museum, and could hardly fail to have a personality. My
mother—Bladina, I called her, for, although she was the consummate
mother, she seemed little older than myself—used to say that if
anything could convert her to spiritualism it would be the hope of
making her old walls speak; the house was built by a Dutch ancestor when
Albany was Fort Orange and she refused to leave it when she married.”
Public-domain text, read in full here on John Shaqi.
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