United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
And now that the more anachronistic of the furnishings had been banished
(what-nots, rep sets with antimacassars, walnut writing-desks,
hat-racks, marble-topped tables, chiffoniers, commodes, ottomans,
Victorian horsehair), and fresh air had exorcised the mustiness she had
found so depressing, there was no question that tulipwood and hickory,
spindle-legs and mahogany, carved oak and pewter, Sheraton and Windsor,
lady-made tapestry, threadbare velvet, brocade and damask, however
little they might harmonize one with the other, were as much a part of
the historic old mansion as the family portraits; and nothing she could
buy in New York or Philadelphia, even if she confined herself to
“period” shops, would take their place. Like the walls they had been the
mute companions of nearly three centuries of Carterets; and Gita,
sitting on one of the faded chairs in the drawing-room, sometimes
fancied there was a knowing smile on the lips of her grandmother’s
portrait, painted shortly after she came to the manor as a bride, and
smiled in unwilling response as she remembered one of her last
conversations with the redoubtable old lady. She had surrendered to the
house, no doubt of that. She had despised ancestral traditions as long
as they had given her nothing, had been a convinced democrat, with
leanings toward socialism, as long as she was a quasi-derelict; but now
that she possessed an adequate and independent income, inherited from
her line with one of the most historic old properties in America, she
felt as if she were being reëducated in silent communion with every
Carteret that had lived here before her.
There were family portraits all over the lower floor, and their painted
unchanging faces had become as familiar to her as those of her lively
and excessively modern young friends; she sat in the twilight and tried
to visualize that long and vanished line that had contributed to the
personality of the house even if their shades did not return to haunt
it. She had no fear of ghosts and would have liked to see her Carterets
moving about their old habitat in the picturesque costumes of their
eras. The only ghost that would have frightened her was her too-recent
grandmother’s, and if her father had stood before her she would have
shrieked her dismay. She sincerely hoped his discarnate self was
permanently impaled in a roasting pit.
Public-domain text, read in full here on John Shaqi.
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