The girls I need not say had been engaged in calculations long and weary
during these intervening days. Cicely, who had at once taken possession
of all the details of housekeeping, had by this time made a discovery of
the most overwhelming character; which was that the curate was in
arrears with all the tradespeople in the parish, and that the "books,"
instead of having the trim appearance she remembered, were full of long
lists of things supplied, broken by no safe measure of weeks, but
running on from month to month and from year to year, with here and
there a melancholy payment "to account" set down against it. Cicely was
young and she had no money, and knew by her own experience how hard it
was to make it; and she was overwhelmed by this discovery. She took the
books in her lap and crept into the drawing-room beside Mab, who was
making a study of the children in the dreary stillness of the afternoon.
The two little boys were posed against the big sofa, on the carpet. The
young artist had pulled off their shoes and stockings, and, indeed, left
very little clothes at all upon Charley, who let her do as she pleased
with him without remonstrance, sucking his thumb and gazing at her with
his pale blue eyes. Harry had protested, but had to submit to the taking
away of his shoes, and now sat gloomily regarding his toes, and trying
to keep awake with supernatural lurches and recoveries; Charley, more
placid, had dropped off. He had still his thumb in his mouth, his round
cheek lying flushed against the cushion, his round white limbs huddled
up in a motionless stillness of sleep. Harry sat upright, as upright as
possible, and nodded. Mab had got them both outlined on her paper, and
was working with great energy and absorption when Cicely came in with
the books in her lap. "Oh, go away, go away," cried Mab, "whoever you
are! Don't disturb them! If you wake them all is lost!"
Public-domain text, read in full here on John Shaqi.
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