The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
At White Cliffs “all went merry as a marriage bell.” The “Rockbridge”
was at length telegraphed at Norfolk. A letter with an invoice was
received by Mr. Clifton, who immediately dispatched a special messenger
to receive his valuable portion of the cargo. The wedding-day was fixed
for that day week, and great preparations were on foot. The gentry of
the neighboring counties were invited. The mansion-house was “swept and
garnished” from garret to cellar. Frank and Zuleime were daily
rehearsing their parts as bridesmaid and groomsman, which Frank declared
to be only an apprenticeship to the business of enacting bride and
groom. Some city guests from Richmond had arrived by particular
invitation, four or five days before the expected wedding. Last of all
came the wagon with the boxes from Norfolk. They were opened in the
hall—such treasure of splendid attire, and such sets of jewelry! And,
above all, such a trousseau for the bride—conspicuous in which was the
bridal dress and veil—the bridal dress and train of richest white
brocade heavily embroidered with silver, after the gorgeous fashion of
that time—the bridal veil of finest lace—the orange flower wreath of
pearls and emeralds—the pearl embroidered gloves and slippers—the pearl
and silver mounted fan, and all complete in correspondence. And richer
still was a ball-dress of blue silver-embroidered brocade, with its
elegant coiffure of ostrich feathers, the sight of which Zuleime
declared was enough to precipitate _any_ girl into matrimony.
Every one was too happy, too busy and too self-important to notice the
deathly hue of Georgia’s cheek, far less to detect the fitful glare of
the well-guarded eye. Every one but her husband, who, leaving his
daughters and their maids to unpack the boxes, followed her into her own
chamber, saying, as he fondly laid his hand upon her shoulder—
“My darling doesn’t seem to be merry.”
She shrank—shuddered from his touch, exclaiming, almost shrilly—
“Leave me!”
“Leave you, my dear!—my child,—why leave you?” he asked, passing his
hand gently around her shoulders.
“Leave me, leave me!” she cried, sharply, casting off the arm and
springing back—her cheek blanched, her teeth snapping, her eyes
sparkling fire, more like a terrified wolf than a woman, “have I not
told you never, _never_ to come near me in my dark hour?”
“But why should my cherished pet have dark hours?” he persisted,
approaching her.
“Keep off! keep off! old man, you know not what you do!”
“Yes, I’m old—I know I’m old—I wish I wasn’t, for I love you, my
darling. Yes, I love you more tenderly and less selfishly than if I was
younger. I love you entirely—altogether—your little dark face—your
little fiery ways—your little outbursts of temper that no one sees but
me, who look upon it with indulgent eyes. Would a young man love you so
tenderly, Georgia?”
Public-domain text, read in full here on John Shaqi.
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