The Cutting of an AgateYeats, W. B. (William Butler)
History
The Cutting of an Agate
Yeats, W. B. (William Butler)
Essays; Literature -- History and criticism
to Grattan which John O'Leary had put into our hands, though it might be
our business to explore new paths of the labyrinth. We sought to make a
more subtle rhythm, a more organic form, than that of the older Irish
poets who wrote in English, but always to remember certain ardent ideas
and high attitudes of mind which were the nation itself, to our belief,
so far as a nation can be summarised in the intellect. If you had asked
an ancient Spartan what made Sparta Sparta, he would have answered, The
Laws of Lycurgus, and many Englishmen look back to Bunyan and to Milton
as we did to Grattan and to Mitchell. Lionel Johnson was able to take up
into his Art one portion of this tradition that I could not, for he had
a gift of speaking political thought in fine verse that I have always
lacked. I, on the other hand, was more preoccupied with Ireland (for he
had other interests), and took from Allingham and Walsh their passion
for country spiritism, and from Ferguson his pleasure in heroic legend,
and while seeing all in the light of European literature found my
symbols of expression in Ireland. One thought often possessed me very
strongly. New from the influence, mainly the personal influence, of
William Morris, I dreamed of enlarging Irish hate, till we had come to
hate with a passion of patriotism what Morris and Ruskin hated. Mitchell
had already all but poured some of that hate drawn from Carlyle, who had
it of an earlier and, as I think, cruder sort, into the blood of
Ireland, and were we not a poor nation with ancient courage, unblackened
fields and a barbarous gift of self-sacrifice? Ruskin and Morris had
spent themselves in vain because they had found no passion to harness to
their thought, but here was unwasted passion and precedents in the
popular memory for every needed thought and action. Perhaps, too, it
would be possible to find in that new philosophy of spiritism coming to
a seeming climax in the work of Fredrick Myers, and in the
investigations of uncounted obscure persons, what could change the
country spiritism into a reasoned belief that would put its might into
all the rest. A new belief seemed coming that could be so simple and
demonstrable and above all so mixed into the common scenery of the
world, that it would set the whole man on fire and liberate him from a
thousand obediences and complexities. We were to forge in Ireland a new
sword on our old traditional anvil for that great battle that must in
the end re-establish the old, confident, joyous world. All the while I
worked with this idea, founding societies that became quickly or slowly
everything I despised. One part of me looked on, mischievous and
mocking, and the other part spoke words which were more and more unreal,
as the attitude of mind became more and more strained and difficult.
Madame Maud Gonne could still draw great crowds out of the slums by her
beauty and sincerity, and speak to them of 'Mother Ireland with the
Public-domain text, read in full here on John Shaqi.
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