The Dabistán, or School of manners, Volume 2 (of 3): translated from the original Persian, with notes and illustrations
Religion
The Dabistán, or School of manners, Volume 2 (of 3): translated from the original Persian, with notes and illustrations
Iran -- Religion; Religions
The boy, when invested with the Brahminical thread, is called a
_Brahmachari_, until he enters into the marriage state; after which,
if through the necessity of his own family he derives his daily
support from another quarter, he is not to eat at one place only, but
go round to several doors, and receiving something at each, convey the
whole to its proper destination; but the person, whose father and
mother charge themselves with his annual support, and who can discover
no other Brahman beside himself in that district, is allowed to
satisfy his appetite at one place. Until the time of his marriage, the
Brahmachari eats not honey, never applies collyrium to the eyes, nor
oil nor perfumes to the body; and never eats the viands left at table,
except his master’s; he never utters a rejoinder with harshness or
severity; avoids female intercourse; and never looks at the great
luminary when rising or setting; he is a stranger to falsehood, and
never uses an expression of ill omen; nor holds any one in
detestation, or regards him as an object of reproach; above all, he
shows exceeding veneration to his preceptor.
The ancients commanded that boys should be engaged in the study of the
Veds, or “religious sciences,” from five years of age to twelve. They
have also said: “A Brahman should study the four Védas;” but as the
acquisition of the whole is impossible, their learned men are
consequently satisfied with the knowledge of small portions of each.
The first is the _Rigvéda_, which treats concerning the knowledge of
the Divine essence and attributes; the mode of creation; the path of
righteousness; of life and death. The second, or _Yajúsh-véda_, treats
of the rules prescribed for religious ceremonies, faith, burnt
offerings, and prayers. The third is the _Sámavéda_, which treats of
the science of music, the proper mode of reading the Védas, and the
portions selected from them; from this source are also derived vocal
and instrumental harmony. The fourth is the _Atharva-véda_, which
includes the rules of archery, the prayers proper to be recited when
encountering the foe and discharging arrows against them. If a person
acquainted with this system and form of prayer discharge a single
arrow, it becomes a hundred thousand arrows, some of which contain
fire, others wind, storm, dust, and rain; others vomit forth golden
stones and huge bricks; whilst some assume the forms of tremendous
wild beasts and ferocious animals, which strike terror into the
boldest hearts. Many are the extraordinary modes and wonderful devices
unfolded in this Véda for the total destruction of one’s enemies. Such
is the Atharva Véda, and such the artifices, magic practices,
incantations, spells, and devices contained in it.[99]
Public-domain text, read in full here on John Shaqi.
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