The daily life of the Greeks and Romans as illustrated in the classical collectionsMetropolitan Museum of Art (New York, N.Y.)
History
The daily life of the Greeks and Romans as illustrated in the classical collections
Metropolitan Museum of Art (New York, N.Y.)
Art, Greek; Art, Roman; Greece -- Social life and customs; Rome -- Social life and customs
The loutrophoros is a vase associated especially with the funeral
procession. These long-necked jars were used in the marriage ceremonies
to bring water for the ceremonial bath of the bridegroom and the bride;
and in the case of the death of a betrothed person, a loutrophoros was
carried in the funeral procession and set up on the grave. One of these
vases will be found in Case R in the Third Room. If the body was disposed
of by cremation the ashes were placed in a jar, usually of stone or
pottery. In Cases P, R, and T in the Seventh Room are a number of pottery
jars which were used to hold the ashes of Greeks who died at Alexandria.
Some of them are marked with the name of the deceased and the position
of the jar in the cemetery. It was usual to erect tombs along the roads
leading from the city gates, the sculptured tablets bordering the highway
on either side, interspersed with trees, and sometimes accompanied by
stone seats erected by families for the use of those members who came to
tend the graves. Greek grave monuments are frequently very beautiful,
and are characterized by fine taste and restraint in the expression of
feeling, as well as by the absence of painful or shocking suggestion.
There are a number of examples in the Sculpture Gallery. The marble
lekythos is an example of a common type of monument (fig. 150). Another
form is the lofty tablet with painted or sculptured akroterion (see
tail-piece, p. 131), such as Nos. 6 and 5A in the Sculpture Gallery
and the stele in the Third Room. Examples of tablets with sculptured
figures are Nos. 4, 7, 10, 30, and 59 in the Sculpture Gallery and the
stele of a young man in the Sixth Room. On these monuments the dead
is represented alone in a quiet pose, with some article or utensil
suggesting his favorite occupation or manner of life; or as taking leave
of his family (fig. 152). In Rooms 21, 22, and 23 in the Gallery of
Casts are reproductions of some of the most beautiful and best known of
the Greek grave stelai. Several painted stones from the cemetery near
Alexandria will be found in two cases in the Vestibule. The Cesnola
Collection contains a number of Cypriote grave monuments inscribed with
Greek formulas of farewell. These are in Cases 6 to 12, 14, and 15 in the
corridor.
[Illustration: FIG. 152. MONUMENT OF SOSTRATE]
[Illustration: FIG. 153. ETRUSCAN URN FOR ASHES]
Public-domain text, read in full here on John Shaqi.
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