Well known even to social dancers, as the basis of the polka-step, is
the _pas bourrée_. This requires the dancer to stand on the front foot
while the back one is raised. In the first movement the back foot is
brought into the third position on the toes. The second movement is the
beating of the front foot, and third movement the beating of back and
front feet. To this step belongs the _pas de bourrée emboîté_, which
requires the advancing of the right foot to the fourth position, the
toe pointed and the knee straight, the bringing up of the left foot
to the fourth position with the toe pointed behind the right, and the
advancing of the right foot with the toe pointed to the fourth position
without any raising or sinking of the body; it is all performed on the
toes.
Quite acrobatic in character are the celebrated _pirouettes_--movements
composed of a _demi-coupé_ and two steps on the points of the toes. The
_pirouette_ starts by bringing one foot to the fifth position behind,
the toe touching the heel, then raising both heels and turning on the
toe, reversing the position of the feet, and revolving on the toe. A
_pirouette_ used in the old dances consists of a turn on one foot and
the raising of the heel of the other, stepping with the toe of this
foot four times and so getting around the other one. In some of the
slow _pirouettes_ the movement seems to consist of the raising of the
foot and jumping round as in some of the country dances. To this class
belongs the _fouetté_, which gives a fluid, swinging impression.
Of ancient French origin is the _pas de basque_, which starts in the
fifth position with the bringing of the right foot forward with pointed
toe, and passing in a semi-circle to the second position with the
weight on the right foot, then with a _glissade_ through the third
position into the fourth. The _glissade_ is a slide. Slide the front
foot from the third position with pointed toe slightly raised to the
right; then bring the left toe to the right heel, and _vice versa_. The
first movement is the sliding of the foot from the third to the second
position; the second, the left foot is drawn into the third position
forward and repeats.
Public-domain text, read in full here on John Shaqi.
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