The Days of My Life: An AutobiographyOliphant, Mrs. (Margaret)
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The Days of My Life: An Autobiography
Oliphant, Mrs. (Margaret)
Oliphant, Mrs. (Margaret), 1828-1897
I made no answer. I was piqued at Mr. Osborne's mockery; but I wondered
over what the other had said--what did he mean by the drawing-room
making a mark in his life. Had it made any mark in mine? why should it?
and why was he walking along so quietly by Mr. Osborne's side, without
the least intention of going away? I saw that he kept his eyes away
from me, as carefully as I kept mine from him; but how I observed him
for all that. His walk was rather slow and steady--he was not quick and
impetuous as I was--I wanted to hasten on, for I was embarrassed a
little, not knowing anything about "society," and being quite at a loss
to know whether I was acquainted with this stranger or not; but, of
course, Mr. Osborne continued _his_ leisurely pace, and so did his young
companion. They made me impatient and almost irritated me; they went on
so quietly.
When we came to the door, I opened it hastily, for it was an
old-fashioned, unsuspicious door, and opened from the outside. Then in
my awkwardness I went down the two steps which led from it, and stood
below in the door, waiting for Mr. Osborne. I was in a little tremor of
expectation--what was he going to do?
"I think I may presume on your father and yourself, Hester, so far as to
ask my young friend to come in with me," said Mr. Osborne, "for we have
some business together. This is Mr. Harry Edgar, Miss Southcote--will
you admit him within your precincts."
Of course I had to make a little awkward bow to him, and I do not think
his was much more graceful; and then I hurriedly led the way into the
house. Mr. Osborne went directly to the library, and I called Alice to
show Mr. Edgar up-stairs, then I ran to my own room to take off my
bonnet. Must I go to the drawing-room where he was sitting alone--I
thought it was very unpleasant--I felt extremely confused and awkward,
yet I smoothed my hair, and prepared to go.
When I went into the room, he was looking at the pictures--those dark,
hard panel portraits on the wall, and with some interest as I
thought--though when I came, he, too, grew a little embarrassed like me.
I went to my work-table immediately to look out some work, for I could
not sit idle and talk to him. There were countless little bits of work
lying half completed on my work-table, I had no difficulty in finding
occupation, and when I had selected one, I sat down by the window and
wished for Mr. Osborne. He ought to know better, than to leave me alone
here.
There was nothing at all to keep us from the necessity of talking to
each other, for he immediately gave up looking at the portraits, and the
room was in fatal good order, and all the books put away. After the
first awkward pause, he said something about the pictures: "they were
family portraits, no doubt."
"No," said I, "that is, they are not Southcotes; they are portraits of
grandmamma's family, I suppose; but we always count our family on the
other side."
Public-domain text, read in full here on John Shaqi.
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