The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
One of his keenest discomforts was horror at close contact with dirt.
All his life he had taken peculiar care to keep his body healthy and
exquisitely groomed. It was with profound melancholy that he gazed at
his uncut nails, and the purple of his travelling chlamys, befouled by
dust and muddy roads. Scuda never quitted his side for an instant,
and Gallus, not without reason, dreaded his assiduous companion. The
tribune, years ago, had come as bearer of a despatch from the Emperor,
and was but newly arrived in Antioch, when by an impudent remark he
had offended Constantia, the wife of Gallus, who straightway in a fit
of fury had ordered the Roman tribune to be flogged and afterwards
thrown, like a slave, into a dungeon.
Foreseeing the probable consequence, Constantia had quickly ordered
the tribune to be set at liberty. He then presented himself at the
palace of Gallus, as if nothing had occurred, and, pocketing the
affront, had never even reported it to his master; perhaps through
fear that so degrading a punishment might besmirch the prospects of
his career as a courtier.
During the whole journey from Antioch to Milan Scuda retained his seat
in Cæsar's chariot, never quitting him, inviting his confidences, and
treating him like some wayward child, who, being out of sorts, was not
to be left to himself for a moment by a servant so devoted and
affectionate.
Where, as in Illyria, there were dangerous river crossings to be made
on frail wooden bridges, Scuda would put his arm around Gallus with
the tenderest solicitude, and if the latter strove to free himself,
swear that he preferred death to the risk of drowning his precious
charge.
The tribune wore an oddly thoughtful expression, especially when
contemplating the neck of Gallus, smooth and white as a young girl's.
The Cæsar, feeling this attentive look, would fidget uneasily in his
seat, and with difficulty restrain himself from striking the amiable
tribune in the face. But the poor prisoner's spirits quickly rose
again. He contented himself with imploring (for despite everything
his appetite remained healthy), that they might halt for a meal, were
it never so scanty. At Petovio, in Norica, they were met by two fresh
envoys from the Emperor, accompanied by a cohort of Court legionaries.
The mask was then dropped. Round the palace where Gallus slept armed
sentinels were placed as round a prison. In the evening the prefect
Barbatio, making his way in, without any pretence at ceremony, ordered
him to take off the chlamys of a Cæsar and don the simple tunic and
paludamentum, or ordinary cloak, of a common soldier.
On the following morning the prisoner was ordered to get into a
karpenta, a little two-wheeled cart without a hood employed by minor
officials on official journeys. A cold wind was blowing
intermittently. Scuda according to his custom put one arm round
Gallus, and with the disengaged hand gently fingered the new garment.
Public-domain text, read in full here on John Shaqi.
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