The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
So, for the first time, we are enabled to understand the Romans as the
_successors_ of the Greeks, and light is projected into the deepest
secrets of the late-Classical period. What, but this, can be the meaning
of the fact—which can only be disputed by vain phrases—that the Romans
were barbarians who did not _precede_ but _closed_ a great development?
Unspiritual, unphilosophical, devoid of art, clannish to the point of
brutality, aiming relentlessly at tangible successes, they stand between
the Hellenic Culture and nothingness. An imagination directed purely to
practical objects—they had religious laws governing godward relations as
they had other laws governing human relations, but there was no
specifically Roman saga of gods—was something which is not found at all
in Athens. In a word, Greek _soul_—Roman _intellect_; and this
antithesis is the differentia between Culture and Civilization. Nor is
it only to the Classical that it applies. Again and again there appears
this type of strong-minded, completely non-metaphysical man, and in the
hands of this type lies the intellectual and material destiny of each
and every “late” period. Such are the men who carried through the
Babylonian, the Egyptian, the Indian, the Chinese, the Roman
Civilizations, and in such periods do Buddhism, Stoicism, Socialism
ripen into definitive world-conceptions which enable a moribund humanity
to be attacked and re-formed in its intimate structure. _Pure_
Civilization, as a historical process, consists in a progressive
_taking-down_ of forms that have become inorganic or dead.
The transition from Culture to Civilization was accomplished for the
Classical world in the 4th, for the Western in the 19th Century. From
these periods onward the great intellectual decisions take place, not as
in the days of the Orpheus-movement or the Reformation in the “whole
world” where not a hamlet is too small to be unimportant, but in three
or four world-cities that have absorbed into themselves the whole
content of History, while the old wide landscape of the Culture, become
merely provincial, serves only to feed the cities with what remains of
its higher mankind.
Public-domain text, read in full here on John Shaqi.
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