The end of this period was marked by a great revolution, and with it the definitive intervention of the (“Roman”) Nahua powers in the Maya affair. With their aid Hunac Ceel brought about a general overthrow and destroyed Mayapan (about 1190 = Classical 150). The sequel was typical of the history of the over-ripened Civilization in which different peoples contend for military lordship. The great Maya cities sink into the same bland contentment as Roman Athens and Alexandria, but out on the horizon of the Nahua lands was developing the last of these peoples, the Aztecs--young, vigorous, barbaric, and filled with an insatiable will-to-power. In 1325 (= the Age of Augustus) they founded Tenochtitlan, which soon became the paramount and capital city of the whole Mexican world. About 1400 military expansion began on the grand scale. Conquered regions were secured by military colonies and a network of military roads, and a superior diplomacy kept the dependent states in check and separated. Imperial Tenochtitlan grew enormous and housed a cosmopolitan population speaking every tongue of this world-empire.[55] The Nahua provinces were politically and militarily secure, the southward thrust was developing rapidly, and a hand was about to be laid on the Maya states; there is no telling what the course of the next centuries would have been. And suddenly--the end. At that date the West was at a level which the Maya had already overpassed by 700; nothing short of the age of Frederick the Great would have been ripe enough to comprehend the politics of the Mayapan League, and what the Aztecs of A.D. 1500 were organizing lies for us well in the future. But that which distinguished Faustian man, even then, from the man of any other Culture was his irrepressible urge into distance. It was this, in the last resort, that killed and even annihilated the Mexican and Peruvian Culture--the unparalleled drive that was ready for service in any and every domain. Certainly the Ionic style was imitated in Carthage and in Persepolis, and Hellenistic taste in the Gandara art of India found admirers. Future investigation will probably find some Chinese in the primitive German wood-architecture. The Mosque style ruled from Farther India to North Russia, to West Africa, and to Spain. But all that amounts to nothing as compared with the expansion-power of the Western Soul. The true style-history of that soul, it need hardly be said, accomplished itself only on the mother soil, but its resultant effects knew no bounds. On the spot where Tenochtitlan had stood, the Spaniards erected a Baroque cathedral adorned with masterpieces of Spanish painting and plastic. Already at that date the Portuguese had got to work in Hither India and Late-Baroque architects from Spain and Italy in the heart of Poland and Russia. The English Rococo, and especially Empire, made for themselves a broad province in the Plantation States of North America,