The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)Athenaeus, of Naucratis
General
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
[1:1] We have adopted the conventional title, "Banquet of the Learned;"
but it may, perhaps, be more accurate to translate it, "The Contrivers
of Feasts." _Vide_ Smith's Biographical Dictionary, _voc._ Athenæus.
[3:1] Callimachus.
[3:2] Marcus Aurelius.
[4:1] Asteropæus was one of the Trojan heroes who endeavoured to fight
Achilles, being armed with two spears.
[4:2] Pindar. Ol. i. 22.--See Moore's translation.
[7:1] Epicharmus.
[8:1] There is a pun here that is untranslateable. Δάκτυλος is a finger;
but the Δάκτυλοι Ἰδαῖοι were also priests of Cybele in Crete, and are the
people to whom the discovery of iron, and the art of working it by fire,
is ascribed.
[9:1] φίλιχθυς, fond of fish.
[9:2] φιλόδειπνος, fond of feasting.
[13:1] Odyss. iv. 54. The poetical translations are from the
corresponding passages in Pope's Homer.
[13:2] Ib. iv. 65.
[14:1] Iliad, xxiv. 262.
[15:1] Iliad, i. 469.
[15:2] Ib. xi. 629.
[16:1] Iliad, xxii. 427.
[16:2] Odyss. ii. 340.
[16:3] Ib. xxi. 293.
[17:1] Odyss. xv. 499.
[17:2] Iliad, xxiv. 124.
[18:1] _Vide_ Liddell and Scott, _in voc._, who say, "In Homer it is
taken at sunrise; and so Æsch. Ag. 331, later _breakfast_ was called
ἀκράτισμα, and then ἄριστον was the midday meal, our _luncheon_, the Roman
_prandium_, as may be seen from Theoc. iv. 90-7, 8;" and 25: translate
ἑσπέρισμα supper, and ἐπιδορπὶς a second course of sweetmeats.
[18:2] Odyss. xvii. 599. This word is found nowhere else; waiting till
evening, Buttman Lexic. s. v. δείλη, 12, explains it, having taken an
afternoon meal.--L. & S. _v._ Call. Fr. 190.
[19:1] Odyss. viii. 98.
[19:2] Iliad, ix. 225.
[20:1] The real reading is Οἰωνοῖσί τε πῦσι, Iliad, i. 5. "He made them the
prey of dogs and of all birds."
[20:2] Odyss. xii. 322.
[21:1] Iliad, xvi. 745.
[21:2] Odyss. vii. 70.
[21:3] Iliad, i. 471.
[21:4] Odyss. vii. 179.
[21:5] Il. iv. 65.
[22:1] Iliad, iv. 3.
[22:2] Odyss. iv. 18.
[23:1] Odyss. vii. 481.
[23:2] Ib. xii. 191.
[25:1] "ὑπόρχημα, a hyporcheme or choral hymn to Apollo, near akin to
the Pæan. It was of a very lively character, accompanied with dancing
(whence the name) and pantomimic action; and is compared by Athenæus
to the κόρδαξ (630 E). Pindar's Fragments, 71-82, are remains of
hyporchemes."--Liddell & Scott, in voc. ὑπόρχημα.
[26:1] That is to say, in the eighteenth book of the Iliad, which
relates the making of the arms for Achilles by Vulcan.
[27:1] Odyss. ix. 7.
[28:1] Iliad, xiv. 173.
[28:2] Schweighauser says here that the text of this fragment of Eupolis
is corrupt, and the sense and metre undiscoverable.
[29:1] The Ninth Book.
[30:1] Odyss. xviii. 191.
[30:2] Ib. x. 195.
[30:3] Iliad, xiii. 736.
[32:1] This is a pun which, cannot be rendered in English, καταλλάσσομαι
meaning to be changed, of money; and to be reconciled, of enemies.
[40:1] Iliad, x. 572.
[40:2] Odyss. x. 362.
[46:1] This is no part of Pyth. 1 or 2, but a fragment of another ode.
[50:1] Ἄκανθα is Greek for a thorn.
Public-domain text, read in full here on John Shaqi.
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