61. And Nicolaus the Peripatetic, in the tenth book of his History, and again in the twentieth book, says that Lucullus, when he came to Rome and celebrated his triumph, and gave an account of the war against Mithridates, ran into the most unbounded extravagance, after having previously been very moderate; and was altogether the first guide to luxury, and the first example of it, among the Romans, having become master of the riches of two kings, Mithridates and Tigranes. And Sittius, also, was a man very notorious among the Romans for his luxury and effeminacy, as Rutilius tells us; for as to Apicius, we have already spoken of him. And almost all historians relate that Pausanias and Lysander were very notorious for their luxury; on which account Agis said of Lysander, that Sparta had produced him as a second Pausanias. But Theopompus, in the tenth book of his History of the Affairs of Greece, gives exactly the contrary account of Lysander, saying that "he was a most laborious man, able to earn the goodwill of both private individuals and monarchs, being very moderate and temperate, and superior to all the allurements of pleasure; and accordingly, when he had become master of almost the whole of Greece, it will be found that he never in any city indulged in amatory excesses, or in unreasonable drinking parties and revels." 62. But luxury and extravagance were so very much practised among the ancients, that even Parrhasius the painter always wore a purple robe, and a golden crown on his head, as Clearchus relates, in his Lives: for he, being most immoderately luxurious, and also to a degree beyond what was becoming to a painter, laid claim, in words, to great virtue, and inscribed upon the works which were done by him— Parrhasius, a most luxurious man, And yet a follower of purest virtue, Painted this work. But some one else, being indignant at this inscription, wrote by the side of it, ῥαβδοδίαιτος (worthy of a stick). Parrhasius also put the following inscription on many of his works:— Parrhasius, a most luxurious man, And yet a follower of purest virtue, Painted this work: a worthy citizen Of noble Ephesus. His father's name Evenor was, and he, his lawful son, Was the first artist in the whole of Greece. He also boasted, in a way which no one could be indignant at, in the following lines:— This will I say, though strange it may appear, That clear plain limits of this noble art Have been discover'd by my hand, and proved. And now the boundary which none can pass Is well defined, though nought that men can do Will ever wholly escape blame or envy.