The despot of Broomsedge CoveCraddock, Charles Egbert
General
The despot of Broomsedge Cove
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
An old dog had trotted over from Eli Strobe’s,—the dog which Teck Jepson
had recognized as the property of the “frequent visitor.” He came along
with the easy, confident manner appertaining to both dogs and people who
are more highly appreciated than they deserve; for he was not useful,
being too good-natured for a watch-dog, and having no particular nose for
game and no compensating energy or joy in its pursuit, and he was by no
means comely. His long tongue lolled out, his eyes looked hot. He showed
no signs of recognition of any of the men, but sat down gravely in front
of them.
“I b’lieve that thar old dog hain’t got no owner,” Jepson said
tentatively to Eli Strobe, with a craft of which he was ashamed. “Yer
darter tole me the t’other day ’twarn’t hern.”
Eli Strobe’s slow side-glance was directed toward the long-haired youth,
who lay at length on the grass, and who had not spoken. “Andy’s,” he said
curtly,—“Andy Longwood’s.”
Jepson felt the blood mount to his face. So _this_ was the “frequent
visitor,” whose name she would not speak; this was the riddle she had
left him to guess,—this long-haired, curly-pated creature. “I’d shear him
like a sheep,” he said contemptuously to himself.
The young man, at the sound of his name, turned upward a gentle, placid
face. “Talkin’ ter me?” he drawled slowly.
Eli Strobe gave him a sidelong glower, and shook his head.
“Sheep, fur true!” Jepson thought, scanning his mild countenance. “I’ll
be bound he kin say ‘Ba-a!’” He looked with an easy contempt after the
young fellow, as he rose and strolled away, the old dog at his heels.
“Ef ennybody war ter take a notion ter Marcelly Strobe, he needn’t mind
that thar leetle chuckle-headed Woolly.” Jepson watched Andy Longwood
take his way toward Eli Strobe’s cabin without one qualm of distrust or
displeasure. This the vaunted “frequent visitor”!
So strong a factor is jealousy in sentiment at this stage that, relieved
of his unacknowledged apprehensions, Jepson’s sudden assumption that he
had only a sort of paternal or fraternal interest in Marcella, equally
divided with the callow Isabel, was altogether sincere, and he was
unaware of those subtle mental processes by which he was self-deceived.
He produced much the same impression upon himself that he did on Eli
Strobe, when he said with a casual smile, “He’s a-danglin’ arter
Marcelly, ain’t he?”
Eli Strobe sullenly nodded. “He mought ez well dangle _off_, too.”
He cast an authoritative side-glance at Jepson, which intimated the
possibility of paternal interference in matters of the heart. “Marcelly
ain’t sech ez ter take a likin’ ter him, but somehows she can’t git rid
o’ the critter.”
“I hev hearn,” said Joe Bassett animatedly, “ez how Marcelly and
Clem”—the blacksmith had strolled off, his hands in his pockets, his hat
pulled far over his gloomy face—“hev been keepin’ comp’ny tergether.”
Public-domain text, read in full here on John Shaqi.
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