The devil in a nunnery, and other mediaeval talesMann, Francis Oscar
History
The devil in a nunnery, and other mediaeval tales
Mann, Francis Oscar
England -- History -- Middle Ages, 500-1500 -- Fiction; Short stories, English
Thus William got his thirty crowns upon his bond, but upon such hard
conditions were they lent that within six months (since employment
still remained scarce) he began woefully to perceive that presently the
Twelve Apostles would enter upon his house and shop, and confiscate
the very tools wherewith he earned his bread and meat, so that in the
future he might look not only for an empty purse but also for an empty
belly. Without doubt this would have come to pass, had not old Abbot
Absalom at this time taken it into his head to glorify the Blessed
Mother of God by enlarging and beautifying the Abbey Church. This
enterprise he conceived in no mean spirit, extending the nave forty
feet or more, and the aisles in proportion, and ornamenting the whole
church, both old and new, with many choice sculptures, wherein he made
much use of William, both for his excellent advice and his skill with
his hands. For which work William received many rich and generous gifts
from the Abbot, and with these he was able at length to redeem his
bond from the usurers, although only at three times the price he had
received for it. Whereat he cursed Master Matthew and his friends right
shrewdly, so that it made people rejoice to hear him, and he swore that
he would yet be avenged upon the whole pack of them. Yea, he said he
would fain be a Devil in Hell, if only for the pleasure of tormenting
Master Matthew in the Lake of Fire.
II
When Abbot Absalom was on his way from Rome, from seeing our Father
the Pope, he had been shown in a certain place in France a church
porch of such exquisite proportions and workmanship as filled him
with admiration. When, therefore, he enlarged the Abbey Church, he
determined to build the great West door in a similar fashion, and while
the work was yet in hand he sent for William and asked him to carve
some religious figures for ornament upon the upper projection of the
porch. William gladly agreed to do all that he wished, and hied him
joyfully home and set straightway to work. He laboured diligently and
without remission for very many weeks, and with such secrecy, covering
up and removing each piece of sculpture as he finished it, as folk had
never seen in him before, so that no one knew what subjects he had
chosen to illustrate in his work. A few days before Easter Sunday,
together with his men Abel and Geoffrey, he took the great stones he
had carved, all swathed in old cloths so that none should see them, and
fitted them in their places upon the porch, giving out to all that his
work should be seen for the first time fully unveiled on Easter Sunday.
Public-domain text, read in full here on John Shaqi.
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