The Devil's Elixir, Vol. 2 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Devil's Elixir, Vol. 2 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
After mature reflection, I have judged it superfluous to transcribe in
this place the parchment book of the old and supernatural painter;
though I might be tempted to do so by the consideration, that no one
else could ever be enabled to understand and follow out its intricate
details, or even to decipher the hand-writing. He sets out by speaking
of himself in the third, but afterwards, or towards the close of his
narrative, uses the first personal pronoun.
He was the eldest son of a certain Prince Camillo di Rosoli, (who had in
early life been distinguished for his bravery and military talents,) and
had been sent by his father, at an early age, into the world, where, to
the great surprise of his noble friends and relations, he devoted
himself almost exclusively to the study of painting, under a celebrated
master of that art in Rome. Here he had already been for a considerable
time, when his father, having been requested by the Republic of Genua to
take the command of a powerful fleet against the Algerine corsairs, sent
an abrupt and peremptory order for the young prince to return home. To
this, Francesco, for that was his name, returned for answer, that a
prince, surrounded by all the pomp and dignity incident to high rank,
was, in his estimation, a mere cipher, in comparison with the character
of an independent man of genius, whose wants were few, and who could
supply these wants by the exercise of his art. A prince, he said, was,
by the circumstances under which he lived, much more subdued and slavish
than even the poorest artist:--for his own part, he knew well enough how
to wield the pallet and pencils, but by no means the sceptre. Finally,
that as to exploits in warfare, whether by sea or land, they were
barbarous and abhorrent to his nature; whereas the creations of the
painter were like reflections on canvass of the divine spirit, of which
a share sometimes descends on favoured mortals.
Thus he sent back his father's messengers with contumely and disgrace,
and the old prince, being thereby violently incensed, dispatched other
ambassadors, who had no better success; whereupon, they informed him,
that, if he did not obey his father's orders, they were commissioned to
say, that he would be disinherited, and never more permitted to assume
that rank which he had now virtually, though not formally, resigned.
To these conditions Francesco made no objections whatever;--on the
contrary, he gave up to his younger brother, in a regular charter, all
claims on the family estates; and as the old prince soon after lost his
life in battle, Zenobio succeeded to the government, and Francesco
continued to live poorly enough on a small pension, which his brother
voluntarily bestowed upon him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account