“Marie, I have come here with a happier heart than I had the day
when I brought you home from the forest of Chanteloube, thinking
that you could never love me. I took you in my arms to put you on
the ground as I do here; but I thought that never again should we
be mounted on the good gray with the child on our knees. I love you
so dearly, I love these little creatures so dearly, I am so happy
that you love me and that you love them, and that my family love
you, and I love your mother so well and all my friends so well,
and everybody else so well to-day, that I wish I had three or four
hearts to fill all of them; for surely one is too small to hold so
much love and so much happiness. It almost makes my stomach ache.”
There was a crowd at the door of the town hall and another at
the church to see the pretty bride. Why should we not tell about
her dress? it became her so well. Her muslin cap, without spot
and covered with embroidery, had lappets trimmed with lace. At
that time peasant women never allowed a single lock to be seen,
and, although they conceal beneath their caps splendid coils of
hair tied up with tape to hold the coif in place, even to-day it
would be thought a scandal and a shame for them to show themselves
bareheaded to men. Nowadays, however, they allow a slender braid
to appear over their foreheads, and this improves their appearance
very much. Yet I regret the classic head-dress of my time; its
spotless laces next the bare skin gave an effect of pristine purity
which seemed to me very solemn; and when a face looked beautiful
thus it was with a beauty of which nothing can express the charm
and unaffected majesty.
Little Marie wore her cap thus, and her forehead was so white and
so pure that it defied the whiteness of linen to cast it in the
shade. Although she had not closed an eye the night before, the
morning air and, yet more, the joy within of a soul pure as the
heaven, and, more than all, a small secret flame guarded with the
modesty of girlhood, caused a bloom to mount to her cheeks delicate
as the peach-blossom in the first beams of an April sun.
Her white scarf, modestly crossed over her breast, left visible
only the soft curves of a neck rounded like a turtle-dove’s; her
home-made cloth gown of myrtle-green outlined her pretty figure,
which looked already perfect, yet which must still grow and
develop, for she was but seventeen. She wore an apron of violet
silk with the bib our peasant women were so foolish as to suppress,
which added so much elegance and decency to the breast. Nowadays
they display their scarfs more proudly, but there is no longer in
their dress that delicate flower of the purity of long ago, which
made them look like Holbein’s virgins. They are more forward and
more profuse in their courtesies. The good old custom used to be a
kind of staid reserve which made their rare smile deeper and more
ideal.
Public-domain text, read in full here on John Shaqi.
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