Here his reception is rather cold, for he is a poor diplomatist, and shows too plainly to these men of the Landwehr that at bottom he is their hereditary enemy. Still, he has a talk in the guardroom, smokes a cigar, and drinks a glass of beer with the men, exchanging _Prosits_. Sometimes he sees on the table, amid the beer-jugs and other debris of the meal, a newspaper which they have forgotten to put away when the Frenchman came in. My Durupt pounces upon it and stuffs it into his pocket. He strides across the bridge, hurries down the staircase, and bursts into the kitchen, breathless and radiant, with the air of a victorious athlete or a hero who has saved the republic, and brandishes his paper as if it were a flag taken from the enemy. Now he reads it, translates and comments, with exclamations of joy or of rage at the passages which delight or infuriate him. He actually talks, argues, and fights with this newspaper; he regards it as a flesh and blood Bavarian who is trying to deceive him, and with whom he has to join issue. Woe to the Bavarian if he does not admit defeat, or at least disquietude, for he will then learn to what lengths Durupt can go in his anger! Never shall I forget these readings of the _Ingolstädter Zeitung_. If I am ever tempted to doubt that the press exercises a terrible power, that its influence upon the public resembles that of a shell bursting in a cavalry square, I shall call to mind certain hours of imprisonment here, passed round our table, Durupt reading aloud, Dutrex and I sketching maps to clarify the news, while leaning over our shoulders, anxiously following us, are Paix, Scherrer, Badoy, Noverraz, Donel, Lagier, and a few others. When we break up in the evening we know what will be the public sentiment next day. According as Durupt is able to sing a triumphal pæan, or, on the other hand, the evidence of misfortune is overwhelming, will our thousand comrades be light-hearted or sad, will hope or despair permeate the fort from this centre, from this table, from the newspaper on this table, from the group of men who sit round it evening after evening. Sometimes Durupt, returning to the kitchen excited by the chase, is pulled up by the notice I have posted for the protection of my work: “Please do not speak to me.” He then sits down beside me without saying a word and unfolds the newspaper he has got hold of. Elbows on table, head in hands, his whole body bent eagerly forward, Claudel would say he is engaged on the “ingurgitation” of his paper.