Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
With a puzzled frown Bill Sibton looked at him. “Did I speak out loud,
then?” he asked slowly.
“And so early in the evening too!” Joan Neilson laughed merrily.
“I must have been day-dreaming, I suppose. But that yarn of yours has
rather got me, Jack; though in the course of a long and evil career I’ve
never heard one told worse. I was thinking of that meeting—all of them
sitting here. And then suddenly that door bursting open.” He was staring
fixedly at the door, and again a silence fell on us all.
“The thunder of the butts of their muskets on the woodwork.” He swung
round and faced the door leading to the garden. “And on that one, too.
Can’t you hear them? No escape—none. Caught like rats in a trap.” His
voice died away to a whisper, and Joan Neilson gave a little nervous
laugh.
“You’re the most realistic person, Mr. Sibton. I think I prefer hearing
about the dance.”
I glanced at my hostess—and it seemed to me that there was fear in her
eyes as she looked at Bill. Sometimes now I wonder if she had some vague
premonition of impending disaster: something too intangible to take hold
of—something the more terrifying on that very account.
It was after dinner that Jack Drage switched on the solitary electric
light of which the room boasted. It was so placed as to show up the
painting of Sir James Wrothley, and in silence we all gathered round to
look at it. A pair of piercing eyes set in a stern aquiline face stared
down at us from under the brim of a hat adorned with sweeping plumes;
his hand rested on the jewelled hilt of his sword. It was a fine picture
in a splendid state of preservation, well worthy of its place of honour
on the walls of such a room, and we joined in a general chorus of
admiration. Only Bill Sibton was silent, and he seemed
fascinated—unable to tear his eyes away from the painting.
“As a matter of fact, Bill,” said Dick Armytage, studying the portrait
critically, “he might well be an ancestor of yours. Wash out your
moustache, and give you a fancy-dress hat, and you’d look very much like
the old bean.”
He was quite right: there was a distinct resemblance, and it rather
surprised me that I had not noticed it myself. There were the same
deep-set piercing eyes, the same strong, slightly hatchet face, the same
broad forehead. Even the colouring was similar: a mere coincidence that,
probably—but one which increased the likeness. In fact, the longer I
looked the more pronounced did the resemblance become, till it was
almost uncanny.
“Well, he can’t be, anyway,” said Bill abruptly. “I’ve never heard of
any Wrothley in the family.” He looked away from the picture almost with
an effort and lit a cigarette. “It’s a most extraordinary thing, Jack,”
he went on after a moment, “but ever since we came into this room I’ve
had a feeling that I’ve been here before.”
“Good Lord, man, that’s common enough in all conscience. One often gets
that idea.”
Public-domain text, read in full here on John Shaqi.
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