The names of Tavernier, Daulier Deslandes and Thévenot fill the latter half of the seventeenth century. Tavernier enjoyed an exceptional reputation as a traveller and merchant throughout the whole of that period. He was born at Paris, in 1605, of a Protestant family, and began his wanderings at the early age of fifteen. At first he followed the profession of a soldier of fortune, but he soon exchanged that precarious calling for the more lucrative pursuit of a travelling jeweller. He visited the East altogether six times between the years 1632 and 1668. His chief dealings were with the Shah of Persia, but he also extended his travels to India, and he was the first Frenchman to visit the Court of the Great Mogul. He brought back jewels from the mines of Golconda and from the pearl fisheries of the Persian Gulf, and after having them polished and set in Paris, he sold them at greatly enhanced prices to Indian princes and to the Shah of Persia. He was the first to reveal the riches of the East to his countrymen, and he enjoyed the favour of Louis XIV., from whom he received a patent of nobility. It was on the occasion of his sixth and last journey to Persia, in 1664, that he was accompanied by Daulier Deslandes, a young artist who was included among his eight ‘serviteurs,’ and who passed the year with him.[37] Although travelling together in this manner for the sake of convenience, Daulier was in fact charged with a special mission on behalf of the French merchant company.[38] The two travellers left Ispahan in 1665 on their way to Bunder Abbas, and they seem on that occasion to have visited Persepolis together. Some days later they overtook M. de Thévenot at Bihry, in Lars (March 26) and the whole party proceeded to the coast. Tavernier went on to India, but Daulier and Thévenot returned to Persepolis (May 1665), and it was probably during this second visit that Daulier found time to make his investigations.[39] He published the account of his travels in 1673, and among the illustrations that adorn his book there is one of Persepolis or, as it is called, Tchelminar.[40] The engraving is vastly superior to anything that had yet appeared: indeed the fanciful and erroneous pictures given by Herbert and Mandelslo do not deserve to be put in comparison with it. We now for the first time obtain some idea of the real appearance of the ruins. The view is taken from the west, and shows correctly the peculiar features of the stairs, sunk into the wall of the terrace, and ascending in double flights parallel to it. We observe also the remarkable indentations in the formation of the platform, which Della Valle thought were designed for its defence. The four walls of the Porch, separated by the two columns, are intelligibly drawn, though their height is inadequate and the animals do not stand out with sufficient boldness. The fourfold ascent by single flights to the upper platform is clearly shown; and for the first time we find