The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
While Warner was yet speaking, the person in question entered. His
were, indeed, the form and face worthy to be seized by the painter.
The peculiarity of his character made him affect a plainness of dress
unusual to the day, and approaching to the simplicity, but not the
neatness, of Quakerism. His hair--then, with all the better ranks, a
principal object of cultivation--was wild, dishevelled, and, in wiry
flakes of the sablest hue, rose abruptly from a forehead on which either
thought or passion had written its annals with an iron pen; the lower
part of the brow, which overhung the eye, was singularly sharp and
prominent; while the lines, or rather furrows, traced under the eyes and
nostrils, spoke somewhat of exhaustion and internal fatigue. But this
expression was contrasted and contradicted by the firmly compressed lip;
the lighted, steady, stern eye; the resolute and even stubborn front,
joined to proportions strikingly athletic and a stature of uncommon
height.
“Well, Wolfe,” said the young painter to the person we have described,
“it is indeed a kindness to give me a second sitting.”
“Tusk, boy!” answered Wolfe, “all men have their vain points, and I own
that I am not ill pleased that these rugged features should be assigned,
even in fancy, to one of the noblest of those men who judged the
mightiest cause in which a country was ever plaintiff, a tyrant
criminal, and a world witness!” While Wolfe was yet speaking his
countenance, so naturally harsh, took a yet sterner aspect, and the
artist, by a happy touch, succeeded in transferring it to the canvas.
“But, after all,” continued Wolfe, “it shames me to lend aid to an art
frivolous in itself, and almost culpable in times when Freedom wants the
head to design, and perhaps the hand to execute, far other and nobler
works than the blazoning of her past deeds upon perishable canvas.”
A momentary anger at the slight put upon his art crossed the pale brow
of the artist; but he remembered the character of the man and continued
his work in silence. “You consider then, sir, that these are times in
which liberty is attacked?” said Clarence.
“Attacked!” repeated Wolfe,--“attacked!” and then suddenly sinking his
voice into a sort of sneer, “why, since the event which this painting
is designed to commemorate, I know not if we have ever had one solitary
gleam of liberty break along the great chaos of jarring prejudice and
barbarous law which we term forsooth a glorious constitution. Liberty
attacked! no, boy; but it is a time when liberty may be gained.”
Perfectly unacquainted with the excited politics of the day, or the
growing and mighty spirit which then stirred through the minds of men,
Clarence remained silent; but his evident attention flattered the fierce
republican, and he proceeded.
Public-domain text, read in full here on John Shaqi.
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