The Divine Comedy of Dante Alighieri: The InfernoDante Alighieri
ReligionJewish
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri
Epic poetry, Italian -- Translations into English; Hell; Italian poetry -- To 1400 -- Translations into English
When, on the death of Henry, Dante was disappointed in his hopes of a
true revival of the Empire, he devoted himself for a time to urging the
restoration of the Papal Court to Rome, so that Italy might at least not
be left without some centre of authority. In a letter addressed to the
Italian Cardinals, he besought them to replace Clement V., who died in
1314,[98] by an Italian Pope. Why should they, he asked, resign this
great office into Gascon hands? Why should Rome, the true centre of
Christendom, be left deserted and despised? His appeal was fruitless, as
indeed it could not fail to be with only six Italian Cardinals in a
College of twenty-four; and after a vacancy of two years the Gascon
Clement was succeeded by another Gascon. Although Dante's motives in
making this attempt were doubtless as purely patriotic as those which
inspired Catherine of Siena to similar action a century later, he met,
we may be sure, with but little sympathy from his former
fellow-citizens. They were intent upon the interests of Florence alone,
and even of these they may sometimes have taken a narrow view. His was
the wider patriotism of the Italian, and it was the whole Peninsula
that he longed to see delivered from French influence and once more
provided with a seat of authority in its midst, even if it were only
that of spiritual power. The Florentines for their part, desirous of
security against the incursions of the northern horde, were rather set
on retaining the goodwill of France than on enjoying the neighbourhood
of the Pope. In this they were guilty of no desertion of their
principles. Their Guelfism had never been more than a mode of minding
themselves.
Public-domain text, read in full here on John Shaqi.
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