In the same way he felt that in spite of his many ingenious arguments
his determination to stay had in it something mysterious and
unforeseen. He had said to her, "Your character may be my destiny."
And perhaps it was. He felt that tremendous issues hung upon his
decision, and that all along he had been forced into it somehow from
outside himself, rather than from within. And yet, as he sat there
feeling all this, while he worked at the abominable catalogue
_raisonné_, he decided further that he would not go away at all.
He would not go back to town to-morrow. He could not afford the time.
He must and would finish that catalogue _raisonné_ by the
twenty-seventh. He had as good as pledged his word to Miss Harden.
Supposing the pledge had a purely ideal, even fantastic value, he was
none the less bound by it, in fact considerably more. For he and she
could only meet in an ideal and fantastic region, and he served her in
an ideal and fantastic capacity, on the wholly ideal and fantastic
assumption that the library was hers. Such a pledge would, he
imagined, be held supreme in the world where honour and Miss Harden
met face to face. And on him it was conceivably more binding than the
promise to take Flossie to the Hippodrome on Saturday, or to
intoxicate himself on Sunday with champagne in the society of Miss
Poppy Grace. Its sovereignty cancelled the priority of the more
trivial and the grosser claim. His word to Miss Harden was one of
those fine immortal things that can only be redeemed at the cost of
the actual. To redeem it he was prepared for sacrifice, even the
sacrifice of the great three days.
He worked late that night and she told him of a short cut to the town
by the river path at the bottom of the garden. Half-way to the river
he stopped and looked back. The beech tree dreamed, silent on a slope
of glimmering lawn. The house loomed in the background, a grey mass
with blurred outlines. From a window open in the east wing he could
hear the sound of a piano.
He stood still and listened. All around was the tender, indescribable
Devonshire night; it hung about him with warm scented breath; he felt
its heart beat in the innumerable pulses of the stars. Behind the blue
transparent darkness the music throbbed like a dawn; it swayed and
sank, piano, pianissimo, and streamed out again into the night,
dividing the darkness. It flowed on in a tumult, a tremendous tumult,
rhythmic and controlled. What was she playing? If he stayed till
midnight he must hear it through. Night sheltered him, and he drew
nearer lest he should lose a note. He stretched himself on the lawn,
and, with his head on his arms, he lay under the beech-tree, under the
stars, dreaming, while Lucia Harden played to him the Sonata
Appassionata.
It was good to be there; but he did not know, and the music did not
tell him why he was there and what he was there for.
And yet it was the Sonata Appassionata.
CHAPTER XVIII
Public-domain text, read in full here on John Shaqi.
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