The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
This morning, however, she let the blue waters rise, not so much
because they were stronger than her will, as because she wished to
understand what was the matter with her. She was filled with a dull
dislike of every one she had ever known, of every condition which
had surrounded her from birth. She felt a deep disgust of placid
contentment, of the mere enjoyment of sunshine and air. She recalled
drearily the clock-like revolutions of the year which brought
bull-fights, races, rodeos, church celebrations; her mother's
anecdotes of the Indians; her father's manifold interests, ever the
theme of his tongue; Reinaldo's grandiloquent accounts of his exploits
and intentions; Prudencia's infinite nothings. She hated the balls of
which she was La Favorita, the everlasting serenades, the whole life
of pleasure which made that period of California the most perfected
Arcadia the modern world has known. Some time during the past few
weeks the girl had crossed her hands over her breast and lain down in
her eternal tomb. The woman had arisen and come forth, blinded as yet
by the light, her hands thrust out gropingly.
"It is that man," she told herself, with angry frankness. "I had
not talked with him ten minutes before I felt as I do when the scene
changes suddenly in one of Shakespeare's plays,--as if I had been
flung like a meteor into a new world. I felt the necessity for mental
alertness for the first time in my life; always, before, I had striven
to conceal what I knew. The natural consequences, of course, were
first the desire to feel that stimulation again and again, then to
realize the littleness of everything but mental companionship. I have
read that people who begin with hate sometimes end with love; and if I
were a book woman I suppose I should in time love this man whom I now
so hate, even while I admire. But I am no lump of wax in the hands
of a writer of dreams. I am Chonita Iturbi y Moncada, and he is Diego
Estenega. I could no more love him than could the equator kiss the
poles. Only, much as I hate him, I wish I could see him again. He
knows so much more than any one else. I should like to talk to him,
to ask him many things. He has sworn to marry me." Her lip curled
scornfully, but a sudden glow rushed over her. "Had he not been an
Estenega,--yes, I could have loved him,--that calm, clear-sighted
love that is born of regard; not a whirlwind and a collapse, like most
love. I should like to sit with my hands in my lap and hear him talk
forever. And we cannot even be friends. It is a pity."
Public-domain text, read in full here on John Shaqi.
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