The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
"He shall not!" cried Chonita, then checked herself abruptly, the
blood rushing to her hair. "I hate him so," she continued hurriedly
to the astonished Valencia, "that I would see no woman show him favor.
Thou wilt not like him, Valencia. He is not handsome at all,--no color
in his skin, not even white, and eyes in the back of his head. No
mustache, no curls, and a mouth that looks,--oh, that mouth, so grim,
so hard!--no, it is not to be described. No one could; it makes you
hate him. And he has no respect for women; he thinks they were made to
please the eye, no more. I do not think he would look ten seconds at
an ugly woman. Thou wilt not like him, Valencia, sure."
"Ay, but I think I shall. What thou hast said makes me wish to see him
the more. God of my life! but he must be different from the men of the
South. And I shall like that."
"Perhaps," said Chonita, coldly. "At least he will not break thy
heart, for no woman could love him. But come and take thy siesta,
no? and refresh thyself for the dance. I will send thee a cup
of chocolate." And, bending her head to Adan, she swept down the
corridor, followed by Valencia.
XV.
Those were two busy months before Prudencia's wedding. Twenty girls,
sharply watched and directed by Doña Trinidad and the sometime
mistress of Casa Grande, worked upon the marriage wardrobe. Prudencia
would have no use for more house-linen; but enough fine linen was made
into underclothes to last her a lifetime. Five keen-eyed girls did
nothing but draw the threads for deshalados, and so elaborate was the
open-work that the wonder was the bride did not have bands and stripes
of rheumatism. Others fashioned crêpes and flowered silks and heavy
satins into gowns with long pointed waists and full flowing skirts,
some with sleeves of lace and high to the base of the throat, others
cut to display the plump whiteness of the owner. Twelve rebosos were
made for her; Doña Trinidad gave her one of her finest mantillas;
Chonita, the white satin embroidered with poppies, for which she had
conceived a capricious dislike. She also invited Prudencia to take
what she pleased from her wardrobe; and Prudencia, who was nothing if
not practical, helped herself to three gowns which had been made for
Chonita at great expense in the city of Mexico, four shawls of Chinese
crêpe, a roll of pineapple silk, and an American hat.
Public-domain text, read in full here on John Shaqi.
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