The Door in the Wall, and Other StoriesWells, H. G. (Herbert George)
Science
The Door in the Wall, and Other Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories
“‘You must not come here,’ I cried, ‘_I_ am here. I am here with my
dead.’
“He stared, and then shouted a question back to me in some unknown
tongue.
“I repeated what I had said.
“He shouted again, and I folded my arms and stood still. Presently he
spoke to his men and came forward. He carried a drawn sword.
“I signed to him to keep away, but he continued to advance. I told him
again very patiently and clearly: ‘You must not come here. These are
old temples and I am here with my dead.’
“Presently he was so close I could see his face clearly. It was a
narrow face, with dull gray eyes, and a black moustache. He had a scar
on his upper lip, and he was dirty and unshaven. He kept shouting
unintelligible things, questions, perhaps, at me.
“I know now that he was afraid of me, but at the time that did not
occur to me. As I tried to explain to him, he interrupted me in
imperious tones, bidding me, I suppose, stand aside.
“He made to go past me, and I caught hold of him.
“I saw his face change at my grip.
“‘You fool,’ I cried. ‘Don’t you know? She is dead!’
“He started back. He looked at me with cruel eyes. I saw a sort of
exultant resolve leap into them—delight. Then, suddenly, with a scowl,
he swept his sword back—_so_—and thrust.”
He stopped abruptly.
I became aware of a change in the rhythm of the train. The brakes
lifted their voices and the carriage jarred and jerked. This present
world insisted upon itself, became clamourous. I saw through the steamy
window huge electric lights glaring down from tall masts upon a fog,
saw rows of stationary empty carriages passing by, and then a
signal-box hoisting its constellation of green and red into the murky
London twilight, marched after them. I looked again at his drawn
features.
“He ran me through the heart. It was with a sort of astonishment—no
fear, no pain—but just amazement, that I felt it pierce me, felt the
sword drive home into my body. It didn’t hurt, you know. It didn’t hurt
at all.”
The yellow platform lights came into the field of view, passing first
rapidly, then slowly, and at last stopping with a jerk. Dim shapes of
men passed to and fro without.
“Euston!” cried a voice.
“Do you mean—?”
“There was no pain, no sting or smart. Amazement and then darkness
sweeping over everything. The hot, brutal face before me, the face of
the man who had killed me, seemed to recede. It swept out of
existence—”
“Euston!” clamoured the voices outside; “Euston!”
The carriage door opened admitting a flood of sound, and a porter stood
regarding us. The sounds of doors slamming, and the hoof-clatter of
cab-horses, and behind these things the featureless remote roar of the
London cobble-stones, came to my ears. A truckload of lighted lamps
blazed along the platform.
“A darkness, a flood of darkness that opened and spread and blotted out
all things.”
“Any luggage, sir?” said the porter.
“And that was the end?” I asked.
He seemed to hesitate. Then, almost inaudibly, he answered, “_no_.”
Public-domain text, read in full here on John Shaqi.
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