The Door in the Wall, and Other StoriesWells, H. G. (Herbert George)
Science
The Door in the Wall, and Other Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories
“You mean?”
“I couldn’t get to her. She was there on the other side of the temple—
And then—”
“Yes,” I insisted. “Yes?”
“Nightmares,” he cried; “nightmares indeed! My God! Great birds that
fought and tore.”
THE CONE
The night was hot and overcast, the sky red, rimmed with the lingering
sunset of mid-summer. They sat at the open window, trying to fancy the
air was fresher there. The trees and shrubs of the garden stood stiff
and dark; beyond in the roadway a gas-lamp burnt, bright orange against
the hazy blue of the evening. Farther were the three lights of the
railway signal against the lowering sky. The man and woman spoke to one
another in low tones.
“He does not suspect?” said the man, a little nervously.
“Not he,” she said peevishly, as though that too irritated her. “He
thinks of nothing but the works and the prices of fuel. He has no
imagination, no poetry.”
“None of these men of iron have,” he said sententiously. “They have no
hearts.”
“_He_ has not,” she said. She turned her discontented face towards the
window. The distant sound of a roaring and rushing drew nearer and grew
in volume; the house quivered; one heard the metallic rattle of the
tender. As the train passed, there was a glare of light above the
cutting and a driving tumult of smoke; one, two, three, four, five,
six, seven, eight black oblongs—eight trucks—passed across the dim grey
of the embankment, and were suddenly extinguished one by one in the
throat of the tunnel, which, with the last, seemed to swallow down
train, smoke, and sound in one abrupt gulp.
“This country was all fresh and beautiful once,” he said; “and now—it
is Gehenna. Down that way—nothing but pot-banks and chimneys belching
fire and dust into the face of heaven . . . . . But what does it
matter? An end comes, an end to all this cruelty . . . . .
_To-morrow_.” He spoke the last word in a whisper.
“_To-morrow_,” she said, speaking in a whisper too, and still staring
out of the window.
“Dear!” he said, putting his hand on hers.
She turned with a start, and their eyes searched one another’s. Hers
softened to his gaze. “My dear one!” she said, and then: “It seems so
strange—that you should have come into my life like this—to open—” She
paused.
“To open?” he said.
“All this wonderful world—” she hesitated, and spoke still more
softly—“this world of _love_ to me.”
Then suddenly the door clicked and closed. They turned their heads, and
he started violently back. In the shadow of the room stood a great
shadowy figure—silent. They saw the face dimly in the half-light, with
unexpressive dark patches under the penthouse brows. Every muscle in
Raut’s body suddenly became tense. When could the door have opened?
What had he heard? Had he heard all? What had he seen? A tumult of
questions.
The new-comer’s voice came at last, after a pause that seemed
interminable. “Well?” he said.
Public-domain text, read in full here on John Shaqi.
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