The Door in the Wall, and Other StoriesWells, H. G. (Herbert George)
Science
The Door in the Wall, and Other Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories
The highroad ran straight as an arrow flies, straight into the deep
blue pit of sky beneath the moon, a white and shining road between the
singing nightingales, and along it he went, running now and leaping,
and now walking and rejoicing, in the clothes his mother had made for
him with tireless, loving hands. The road was deep in dust, but that
for him was only soft whiteness, and as he went a great dim moth came
fluttering round his wet and shimmering and hastening figure. At first
he did not heed the moth, and then he waved his hands at it and made a
sort of dance with it as it circled round his head. “Soft moth!” he
cried, “dear moth! And wonderful night, wonderful night of the world!
Do you think my clothes are beautiful, dear moth? As beautiful as your
scales and all this silver vesture of the earth and sky?”
And the moth circled closer and closer until at last its velvet wings
just brushed his lips . . . . .
And next morning they found him dead with his neck broken in the bottom
of the stone pit, with his beautiful clothes a little bloody and foul
and stained with the duckweed from the pond. But his face was a face of
such happiness that, had you seen it, you would have understood indeed
how that he had died happy, never knowing the cool and streaming silver
for the duckweed in the pond.
THE DIAMOND MAKER
Some business had detained me in Chancery Lane until nine in the
evening, and thereafter, having some inkling of a headache, I was
disinclined either for entertainment or further work. So much of the
sky as the high cliffs of that narrow canon of traffic left visible
spoke of a serene night, and I determined to make my way down to the
Embankment, and rest my eyes and cool my head by watching the
variegated lights upon the river. Beyond comparison the night is the
best time for this place; a merciful darkness hides the dirt of the
waters, and the lights of this transitional age, red glaring orange,
gas-yellow, and electric white, are set in shadowy outlines of every
possible shade between grey and deep purple. Through the arches of
Waterloo Bridge a hundred points of light mark the sweep of the
Embankment, and above its parapet rise the towers of Westminster, warm
grey against the starlight. The black river goes by with only a rare
ripple breaking its silence, and disturbing the reflections of the
lights that swim upon its surface.
“A warm night,” said a voice at my side.
I turned my head, and saw the profile of a man who was leaning over the
parapet beside me. It was a refined face, not unhandsome, though
pinched and pale enough, and the coat collar turned up and pinned round
the throat marked his status in life as sharply as a uniform. I felt I
was committed to the price of a bed and breakfast if I answered him.
Public-domain text, read in full here on John Shaqi.
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