The Dover Road: Annals of an Ancient TurnpikeHarper, Charles G. (Charles George)
History
The Dover Road: Annals of an Ancient Turnpike
Harper, Charles G. (Charles George)
Dover Road (England); England -- Description and travel; England -- Social life and customs
In Domesday Book Denton is written "Danitune," and it is generally held
that the name comes from the raiding Danes, who certainly troubled this
estuary; but it is probably "Dene-town," the place in the vale; perhaps in
contradistinction to Higham, which is not far off.
[Illustration: JOE GARGERY'S FORGE.]
[Sidenote: CHALK]
Chalk is the next place on the road, and Chalk is quite the smallest and
most scattered of villages, beginning at the summit of the hill leading
out of Milton and ending at Chalk church, which stands on a hillock
retired behind a clump of trees nearly a mile down the road, and far away
from any house. All the way the road commands long reaches of the Thames
and the Essex marshes, and on summer days the singing of the larks high in
air above the open fields can be heard.
At Chalk, in 1836, Charles Dickens rented a honeymoon cottage, on his
marriage with Catherine Hogarth. Great controversies arose some years ago,
following upon what is said to be a wrong identification of the place with
a residence called the "Manor House"; and it was stated that the real
dwelling in question was the weather-boarded and much humbler cottage at
the fork of the old and new roads between Gravesend and Northfleet, still
standing, and with a commemorative tablet on it. Opposite is "Joe
Gargery's Forge."
[Illustration: ANCIENT CARVING--CHALK.]
Chalk church is a very much unrestored building of flint and rubble,
dating from the thirteenth century. Its south aisle was pulled down at
some remote period. There still remains, and in very good preservation,
too, a singular Early English carving over the western door representing a
grinning countryman holding an immense flagon in his two hands and gazing
upward towards a whimsically-contorted figure that seems to be nearly all
head and teeth. Between the two is an empty tabernacle which at one time
before the destruction of "idolatrous statues" would have held a figure of
the Virgin. The two remaining figures probably illustrate the celebration
of "Church ales," a yearly festival formerly common to all English
villages, and held on the day sacred to the particular saint to whom the
church was dedicated. On these occasions there was used to be general
jollity; feasting and drinking; manly sports, such as boxing, wrestling,
and games at quarter-staff, would be indulged in, and the day was held as
a fair, to which came jugglers and players of interludes and itinerant
vendors from far and near. The Church, of course, being the original
occasion of the merry-making, looked benignly upon it, and provided the
funds for the malt from which the so-called "Church ales" were brewed.
[Illustration: SAILORS' FOLLY. (_After Julius Caesar Ibbetson_).]
[Illustration: JACK COME HOME AGAIN.]
[Sidenote: THE "LORD NELSON"]
Public-domain text, read in full here on John Shaqi.
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