The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
From this point of view, to strengthen the organizing, regulating power
of the body, as against local growths and insurgencies, seems (in
general terms) the best line to take—the best way of prolonging life,
and of rendering death fairly easy and negotiable. The outlying
centres—as represented by the various organs and faculties, both of the
body and of the mind—have to be kept during life in subordination to
the main centre, and as far as possible in decent harness and exercise,
so as to become neither too slack on the one hand, nor too rowdy and
insolent on the other. In this way, when the vital forces decay, these
organs and faculties remain still subservient to the central being, and
becoming comparatively quiescent make room for its further passage and
development. There are, indeed, some cases of death, in which the whole
inner spirit and consciousness of the man seems to pass on unchanged,
while the rabble rout of the body simply falls away, or is left behind,
like a disused garment or husk as we have said.
It should, however, be noted that the strengthening of the organizing
and regulating forces does not and must not mean the introduction of
rigid and quasi-tyrannical habits (however ‘good’ such habits may be
supposed to be). The interior Person—as we shall see later—is far too
great and free to be adequately represented by any such habits or
regulations, even the ‘best,’ and they really belong to the lower mind
or body. Their dominance leads to an ossifying or woodening and
valetudinarian tendency in the organism, which is as bad in its way as
the uncontrolled or inflammatory tendency.
Public-domain text, read in full here on John Shaqi.
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