The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
But may I ask, Sir, what you have resolved upon with regard to
Mellefont?
SIR WILLIAM SAMPSON.
Ah, Waitwell, if I could separate him from my daughter's lover, I
should make some very harsh resolve. But as this cannot be, you see, he
is saved from my anger. I myself am most to blame in this misfortune.
But for me Sara would never have made the acquaintance of this
dangerous man. I admitted him freely into my house on account of an
obligation under which I believed myself to be to him. It was natural
that the attention which in gratitude I paid him, should win for him
the esteem of my daughter. And it was just as natural, that a man of
his disposition should suffer himself to be tempted by this esteem to
something more. He had been clever enough to transform it into love
before I noticed anything at all, and before I had time to inquire into
his former life. The evil was done, and I should have done well, if I
had forgiven them everything immediately. I wished to be inexorable
towards him, and did not consider that I could not be so towards him
alone. If I had spared my severity, which came too late, I would at
least have prevented their flight. But here I am now, Waitwell! I must
fetch them back myself and consider myself happy if only I can make a
son of a seducer. For who knows whether he will give up his Marwoods
and his other creatures for the sake of a girl who has left nothing for
his desires to wish for and who understands so little the bewitching
arts of a coquette?
WAITWELL.
Well, Sir, it cannot be possible, that a man could be so wicked----
SIR WILLIAM SAMPSON.
This doubt, good Waitwell, does honour to your virtue. But why, at the
same time, is it true that the limits of human wickedness extend much
further still? Go now, and do as I told you! Notice every look as she
reads my letter. In this short deviation from virtue she cannot yet
have learned the art of dissimulation, to the masks of which only
deep-rooted vice can have recourse. You will read her whole soul in her
face. Do not let a look escape you which might perhaps indicate
indifference to me--disregard of her father. For if you should
unhappily discover this, and if she loves me no more, I hope that I
shall be able to conquer myself and abandon her to her fate. I hope so,
Waitwell. Alas! would that there were no heart here, to contradict this
hope. (_Exeunt on different sides_.)
Scene II.
Miss Sara, Mellefont.
(Sara's _room_.)
MELLEFONT.
I have done wrong, dearest Sara, to leave you in uneasiness about the
letter which came just now.
SARA.
Oh dear, no, Mellefont! I have not been in the least uneasy about it.
Could you not love me even though you still had secrets from me?
Public-domain text, read in full here on John Shaqi.
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