The Dramatic Works of Gerhart Hauptmann, Volume IHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume I
Hauptmann, Gerhart
German drama -- Translations into English
_Through the great gate comes BAER called HOPPING BAER. He is a lank
fellow with a vulture's neck and goitre. His feet and head are bare.
His breeches, badly ravelled at the bottom, scarcely reach below the
knee. The top of his head is bald. Such hair as he has, brown, dusty,
and clotted, hangs down over his shoulders. His gait is ostrich-like.
By a cord he draws behind him a child's toy waggon full of sand. His
face is beardless. His whole appearance shows him to be a
god-forsaken peasant lad in the twenties._
BAER
[_With a strangely bleating voice._] Sa--a--and! Sa--a--and!
_He crosses the yard and disappears between the house and the
stables. HOFFMANN and HELEN come from the house. HELEN is pale and
carries an empty glass in her hand._
HOFFMANN
[_To HELEN._] Entertain him a bit! You understand? Don't let him go. I
should hate to have him.--Injured vanity like that!... Good-bye!... Oh,
maybe I oughtn't to go at all? How is Martha doing?--I've got a queer
kind of feeling as if pretty soon.... Nonsense!--Good-bye! ... awful
hurry!... [_Calls out._] Franz! Give the horses their heads!
[_Leaves rapidly through the main gate._
_HELEN goes to the pump, fills her glass and empties it at one
draught. She empties half of another glass. She then sets the glass
on the pump and then strolls slowly, looking backward from time to
time, through the gate-may. BAER emerges from between the house and
the stables and stops with his waggon before the house door, where
MIELE takes some sand from him. In the meantime KAHL has become
visible at the right, beyond the dividing fence. He is in
conversation with MRS. SPILLER, who is on the hither side of the
fence and therefore close to the entrance of the yard. As the
conversation proceeds, both walk slowly along the fence._
MRS. SPILLER
[_Mildly agonised._] Ah yes--m--Mr. Kahl! I have--m--many a time thought
of--m--you when ... when our--m--dear Miss Helen ... She is so
to--m--speak betrothed to you and so--m--ah! I--m--must say ... in my
time...!
KAHL
[_Mounts a rustic bench under the oak-tree and fastens a bird trap to the
lowest branch._] When is th-that b-beast of a doctor goin' to git out o'
here? Ha?
MRS. SPILLER
Ah, Mr. Kahl! I don't--m--think so very soon.--Ah, Mr. Kahl, I--m--have,
so to speak, come--m--down in the world, but I--m--know--m--what
refinement is. In this respect, Mr. Kahl, I--must say--dear Miss
Helen isn't--m--acting quite right toward you. No--m--in that
respect, so to speak--m--I've never had anything with which
to--m--reproach myself--m--my conscience, dear Mr. Kahl, is as
pure in that--m--respect--so to speak, as new-fallen snow.
_BAER has finished the sale of his sand and, at this moment, passes
by KAHL in order to leave the yard._
KAHL
[_Discovers BAER and calls out._] Heres hopping Baer! Hop a bit!
_BAER takes a, huge leap._
KAHL
Public-domain text, read in full here on John Shaqi.
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