The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
"My dear sir," said my guardian, with a little, kindly laugh that took
the stiffness from the formality of his address and turned it into a
little joke, "on my heart, I did not perceive what you were attired in.
A host is oblivious of all things but the face and the hand of his
guest. Were the Duc de Bassano or M. le Duc de Cadore to turn up at a
reception of mine attired as a rag-picker, I would only be conscious
that I was receiving the Duc de Cadore or the Duc de Bassano. They would
be for me themselves, _however their fellow-guests might sneer_!
"And how have we enjoyed ourselves in Paris?" asked the kindly old
gentleman, turning from the subject of dress, and lighting a fresh
cigar.
"Oh, very well," I said. "And, by the way, I have met an old
acquaintance."
"Ah!"
"Mademoiselle Feliciani, a daughter of Count Feliciani."
"Count Feliciani, the--er--defaulter?"
"I don't know what he may have done," said I, "but I met them years ago,
at the Schloss Lichtenberg. Then they were entirely ruined. I met
Mademoiselle Feliciani last night in a most curious way; and she has
been living in great poverty. In fact, I"--and here I blushed, I
believe--"I have taken her under my protection."
Protection! Oh, hideous word, uttered in the simplicity of youth!
Beautiful word, that men have debased--men who would debase the angels,
could they with their foul hands touch those immaculate wings.
"I hope, sir, you don't object?"
"Object!"
"I have given her the Pavilion to live in," continued I, encouraged by
my guardian's smile of frank approval. "The only thing that grieves me
is," I went on, "that her mother is dead, and that I cannot offer her my
protection, too."
My guardian opened his eyes at this; and I blundering along, blushing,
surprised into one of those charming confidences of youth which youth so
rarely betrays, told him of the beauty of the Countess Feliciani, and of
how much I had admired her as a child, and how I had visited her and
seen her, prematurely aged, ruined, the gold of her beautiful hair
turned to snow, her face lined with the wrinkles of age; and then it
was, I think, that M. le Vicomte began to perceive that my relationship
with Eloise was other than what he had imagined.
"A pure love!" I can imagine him saying to himself. "Why, mon Dieu! that
might lead to marriage--marriage with a Feliciani--an outcast, a beggar!
We must arrange all this; it is a question of diplomacy."
But by no sign did he betray these thoughts. He listened to the woes of
the Felicianis, the picture of sympathetic benevolence; and, when I had
finished, he said: "Ah, poor things!" And then, after a moment's
reverie, as though he were recalling the love affairs of his own youth:
"It is sad. Tell me, are you very much enamoured of this Mademoiselle
Feliciani?"
"Good heavens!" I said. "No. I care for her only--only--that is to say,
I only care for herself."
A confused statement apparently, yet an unconscious and profound
criticism on Love.
Public-domain text, read in full here on John Shaqi.
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