English drama -- 17th century; Retribution -- Drama; Siblings -- Drama; Tragedies (Drama)
BOSOLA. In a mist; I know not how:
Such a mistake as I have often seen
In a play. O, I am gone!
We are only like dead walls or vaulted graves,
That, ruin'd, yield no echo. Fare you well.
It may be pain, but no harm, to me to die
In so good a quarrel. O, this gloomy world!
In what a shadow, or deep pit of darkness,
Doth womanish and fearful mankind live!
Let worthy minds ne'er stagger in distrust
To suffer death or shame for what is just:
Mine is another voyage.
[Dies.]
PESCARA. The noble Delio, as I came to th' palace,
Told me of Antonio's being here, and show'd me
A pretty gentleman, his son and heir.
[Enter DELIO, and ANTONIO'S Son]
MALATESTI. O sir, you come too late!
DELIO. I heard so, and
Was arm'd for 't, ere I came. Let us make noble use
Of this great ruin; and join all our force
To establish this young hopeful gentleman
In 's mother's right. These wretched eminent things
Leave no more fame behind 'em, than should one
Fall in a frost, and leave his print in snow;
As soon as the sun shines, it ever melts,
Both form and matter. I have ever thought
Nature doth nothing so great for great men
As when she 's pleas'd to make them lords of truth:
Integrity of life is fame's best friend,
Which nobly, beyond death, shall crown the end.
Exeunt.
FOOTNOTES:
[Footnote 1: Malfi. The presence-chamber in the palace of the Duchess.]
[Footnote 2: Prevent.]
[Footnote 3: The same.]
[Footnote 4: The reference is to the knightly sport of riding at the ring.]
[Footnote 5: At the expense of.]
[Footnote 6: Rolls of lint used to dress wounds.]
[Footnote 7: Surgeons.]
[Footnote 8: A small horse.]
[Footnote 9: Ballasted.]
[Footnote 10: A lively dance.]
[Footnote 11: Throws into the shade.]
[Footnote 12: At the point of.]
[Footnote 13: Coaches.]
[Footnote 14: Spy.]
[Footnote 15: Cheats.]
[Footnote 16: Spy.]
[Footnote 17: Malfi. Gallery in the Duchess' palace.]
[Footnote 18: Lustful.]
[Footnote 19: Genesis xxxi., 31-42.]
[Footnote 20: The net in which he caught Venus and Mars.]
[Footnote 21: Housekeepers.]
[Footnote 22: Produced.]
[Footnote 23: Qq. read STRANGE.]
[Footnote 24: Guess.]
[Footnote 25: The phrase used to indicate that accounts had been examined
and found correct.]
[Footnote 26: Using words of present time; i.e., "I take," not "I will take."]
[Footnote 27: Knot.]
[Footnote 28: More firmly.]
[Footnote 29: Of difficult disposition.]
[Footnote 30: Malfi. An apartment in the palace of the Duchess.]
[Footnote 31: Chief part.]
[Footnote 32: Bullies (Hazlitt); lawyers (Vaughan).]
[Footnote 33: Royal journey.]
[Footnote 34: Turning a boat on its side for repairs.]
[Footnote 35: Scabbed.]
[Footnote 36: Empty.]
[Footnote 37: Face-modeling (Sampson). "There's a plain statement of your
practises."]
[Footnote 38: Blue like those of a woman with child.]
[Footnote 39: Scurf.]
Public-domain text, read in full here on John Shaqi.
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