English drama -- 17th century; Retribution -- Drama; Siblings -- Drama; Tragedies (Drama)
[Footnote 117: Curdled.]
[Footnote 118: Trial.]
[Footnote 119: An exclamation of impatience.]
[Footnote 120: Milan. A public place.]
[Footnote 121: In escheat; here, in fee.]
[Footnote 122: Disbeliever.]
[Footnote 123: Fraught.]
[Footnote 124: A gallery in the residence of the Cardinal and Ferdinand.]
[Footnote 125: A dog which worries sheep.]
[Footnote 126: A fabulous serpent that killed by its glance.]
[Footnote 127: Cut a caper.]
[Footnote 128: Broth.]
[Footnote 129: Skeletons.]
[Footnote 130: So Dyce. Qq. BROUGHT.]
[Footnote 131: Perfumed sweetmeats for the breath.]
[Footnote 132: Smoke.]
[Footnote 133: A fortification.]
[Footnote 134: Milan. An apartment in the residence of the Cardinal
and Ferdinand.]
[Footnote 135: Reality.]
[Footnote 136: Mistake.]
[Footnote 137: i.e., the dead body.]
[Footnote 138: Another apartment in the same.
END OF PLAY
Transcriber's Note:
Comments on the preparation of this e-text:
All of the footnotes have been re-numbered, in the form [xxx].
A few punctuation marks have been added. These are always set
off by angle brackets. Eg. [?]
The names of the characters have been spelled out in full.
Eg. CARDINAL was CARD.
Leading blanks are reproduced from the printed text. Eg.:
FERDINAND. Sister, I have a suit to you.
DUCHESS. To me, sir?
Public-domain text, read in full here on John Shaqi.
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