The Duke's Daughter; and, The Fugitives; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Duke's Daughter; and, The Fugitives; vol. 2/3
Oliphant, Mrs. (Margaret)
Fiction
“Keep yourself muffled up, and your veil down, and go and get the
tickets,” Mr Goulburn said, in the low and peremptory tone in which he
had throughout addressed Helen. She went without a word; she who had
never in her life done any such thing for herself. The clerk peered at
her through his wicket; the solitary porter stared as she stood alone on
the little platform. She was left there by herself until the train came
up, and the three persons who formed the _personnel_ of the station had
nothing to do but to stare at her, and ask about the luggage which she
did not possess. When the train stopped with its usual little fret and
commotion, Mr Goulburn suddenly came forward and plunged into an empty
carriage. His high coat-collar, the slouch of his hat, and finally, the
figure of the child asleep upon his shoulder concealed him effectually.
Helen could not help wondering whether she were as effectually
disguised, and the thought once more gave her a sharp pinch of pain. Why
were they hiding themselves? There was not a word spoken while the train
rushed on, tearing through that darkness which they had just traversed
so slowly and painfully. Only once, and that when they were but just
started, did any communication pass between the father and daughter.
They both looked out towards the home they had left, though it was
invisible as they left the little station. Upon the road close by the
lights of a carriage were visible, slowly approaching. It was the
carriage which, when Mr Goulburn was absent, was despatched to meet the
last train on Saturday nights. The last train from London was not due
for half an hour, and the coachman came along at a leisurely pace,
slowly climbing the road to meet his master, who was flying, disguised
and shameful, in the other direction. The contrast was so strange that
he looked at Helen, and their eyes met. Something piteous was in his
look. It contained a whole world of misery, of consciousness, of appeal
which was almost humorous, amidst the profundity of pain. She had asked
no questions, she had scarcely ventured to form to herself an idea of
what the cause of this flight could be, but for the first time her heart
was touched.
Public-domain text, read in full here on John Shaqi.
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