The Dumpling : $b A detective love story of a great labour rising — John Shaqi
The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
Then I told of my recall to town, of my commission to visit the opium
den, and of the subsequent happenings up to the moment when I had
stepped out of the cab and into her house. As I brought my recital to a
close, the door opened, and a lumpy-figured, masculine-looking woman,
hard-faced, large-featured, entered the room. Her skin was rough,
red and grained like brick-dust, and on either cheek was a patch of
darker red--almost of purple--which might have been put on by means of
a stencil plate, so hard, so abrupt, and so definite were the lines
where it began or ended. An incipient moustache and a deep voice seemed
to enter a protest, less against the petticoats she was wearing than
against her small and well-formed hands and feet.
"Clara!" she exclaimed menacingly, "who is this?"
Knowing that Miss Carleton's name was Kate, I was somewhat astonished
to hear her thus addressed, for it was not until later that I learned
the facts. The elder lady, who was Miss Carleton's only aunt, had
felt not a little aggrieved that her niece had not been called after
herself. So, by way of entering a protest against the omission of
the compliment which she felt ought to have been paid to her, and
notwithstanding Mr. Carleton's annoyance, and the fact that everybody
else called the girl Kate, the elder lady insisted upon addressing her
niece as Clara, as though the girl were actually her namesake.
"Clara!" she repeated. "Who is this?"
The rising remonstrant inflexion which she placed upon her niece's
name, and the way in which she said "Who is this?" her deep voice
booming like a three-peal bell, sounding first a high, then a low, and
then a deep bass growling note, took me so by surprise that I stared at
her open-mouthed.
"This gentleman has brought me news of my father, aunt," replied Kate
tremulously. "He's afraid, I'm afraid, that father has been made a
prisoner by blackmailers, and that he won't be released until money has
been paid for ransom."
"How absurd!" said the other lady, and in spite of the seriousness of
the situation, it was as much as I could do to refrain from laughing,
so irresistibly, so ludicrously, did her voice remind me of Mr. Penley
in _Charley's Aunt_.
Then, like a bell which pauses for a moment between its chimes, she
boomed again, "How very absurd!"
Miss Carleton turned appealingly to me. "Will you please tell my aunt
what you have just told me?" she said.
Haltingly and half-heartedly I repeated my story, the elder lady
pursing up her fleshy lips, rolling her eyes, and indulging in
long-drawn sniffs, so plainly indicating an incredulity which was lost
in admiration and wonder at its own magnificent power of control, that
I bungled the thing sadly, and was not surprised when, at the end of
the narrative, she rose majestically from her chair, and rang a rich
peal of warning and command.
"Clara, leave the room. I will join you, shortly."
Public-domain text, read in full here on John Shaqi.
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